“MCMXIV,” like many of Philip Larkin’s poems, is a meditation. This poetic form, modeled on John Donne’s prose Meditations, begins with a description of an object, a place, or an event. The description leads directly into a response or a consideration of the issues, problems, and complexities suggested by the object; this consideration then leads to a conclusion or resolution. In “MCMXIV” the object is a 1914 photograph of British volunteers lined up in front of an army recruiting office after England entered World War I. By extension the poem considers the prewar British society that those men represent. The poem itself does not overtly indicate that the photograph is the object of meditation; rather, the title (Roman numerals for 1914) and the description provide that context. While readers can not know whether Larkin was contemplating a particular photograph, there are examples of this type of picture in most illustrated histories of World War I.
The first three stanzas of the four-stanza poem offer an interpretive description of the scene in the photograph. The men stand patiently in line, as they might wait to gain admission to a sporting event or an “August Bank Holiday lark.” (In England a bank holiday is a legal holiday when the banks are ordered closed.) This holiday is in August, since August 4, 1914, was the date England declared war on the Central Powers. The scene Larkin describes is holiday-like: The shops are...
(The entire section is 568 words.)