Summary (Masterplots II: Short Story Series, Revised Edition)
The allegorical nature of this very brief and well-known Edgar Allan Poe story is indicated by the fact that its only named character is Prince Prospero and its only real conflict is the symbolic one between Prospero and the Red Death. The Red Death is a mysterious pestilence that has ravaged the countryside; no pestilence has ever been so fatal and hideous. It manifests itself on the victim with bleeding at the pores, especially on the face, and inevitably ends with death in the space of half an hour. After half of his people have died from this plague, Prince Prospero takes many of the knights and ladies of his court into his castle and welds shut all the doors and windows, determined to escape death. In a supreme gesture of self-willed pride, Prospero assumes that “with such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think.”
The main action of the story centers on a masked ball given by Prospero, during which those within can forget the reality of death outside. The buffoons, actors, dancers, and musicians who dominate the ball create an inner world hermetically sealed off from external reality: “All these and security were within. Without was the ’Red Death.’” In this very static and stylized piece of fiction, Poe spends approximately one quarter of the story detailing the interior of the ballroom, the primary characteristics of...
(The entire section is 667 words.)
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Summary (Masterplots, Fourth Edition)
The Red Death, a bloodier version of the Black Death, ravages Europe in the early fourteenth century. In response, the feudal overlord Prince Prospero selects a thousand congenial individuals from the upper ranks of the society he rules and isolates them within a lavishly furnished and securely sealed, fortified abbey. There, they plan to enjoy themselves to their hearts’ content while the plague runs its deadly course outside.
After several months of seclusion, the courtiers’ entertainments climax in a munificent masked ball held in a mazy complex of seven rooms, each one decorated in a different color and equipped with apposite stained-glass windows, all illuminated by a single central fire. The terminal chamber is decorated in black, and its windows are blood red, producing such a terrible effect that hardly anyone dares venture into the room. The ebony clock in the chamber strikes exceedingly peculiar notes when it chimes, inevitably causing the ball’s musicians to pause. The exotic costumes worn by the masqueraders follow exemplars provided by the Prince himself, many of them being described as “dreams.”
As the masquerade reaches the height of its excitement at the approach of midnight, the revelers notice the presence among them of a red-clad figure whose mask simulates the symptoms of the final phase of the Red Death. The appearance of this intruder angers the prince, who considers it a calculated mockery of his stratagem. He...
(The entire section is 315 words.)
"The Masque of the Red Death" (1842) is a tale of plague, of terror and of death, written in Poe’s gothic style.
In an unspecified year an unnamed land is besieged by the Red Death, a plague which spreads and kills rapidly. Victims are swiftly affected by sharp pains and dizziness, followed by bleeding form the pores. The disease is named for the blood stains on the body and, especially, the face. Victims die within half an hour of the first symptoms.
The land is shrouded in terror, but Prince Prospero is determined not to be a victim. He gathers a thousand of his happy and loyal followers and together they cloister themselves in one of his abbeys. The castle is fortified so that none may enter or leave. Protected from exposure to disease, they remain there for several months.
Eventually Prince Prospero holds a magnificent masquerade ball for his courtiers. The dance is held in an elaborately decorated suite of seven rooms which flow into each other in a maze-like sequence. Each room is a different color, draped in velvet and other ornate furnishings, lit by braziers burning in a corridor beyond and shining through stained glass windows the same color as the furnishings. Only the last room differs. This seventh room is shrouded in black tapestries and carpet, but the windows of this room are blood red, so that the light coming through the windows casts a ghastly hue on the faces of anyone who enters. This room is mostly avoided by the revelers.
The final chamber provides another chilling aspect. It houses a huge ebony clock which ticks loudly and chimes horribly. When it sounds each hour the sound is so disconcerting that the musicians stop playing and the party halts momentarily. This pause is soon over and forgotten until the next hour.
In spite of the room and its clock, the party proceeds gaily. The party goers, safe in their extended seclusion from the outside world, enjoy the festivities. Dressed in masks and costumes ranging from the fanciful to the grotesque, they move from chamber to chamber, each one presenting a different fantasy, avoiding only the final chamber and stopping only when the hourly chimes intrude.
It is only when the clock strikes midnight and the revelries are stopped for the twelve strokes, that the party goers become aware of a figure amongst them not previously noticed. The unrecognizable one is dressed in such a way as to excite terror in the...
(The entire section is 1340 words.)