Figaro and Suzanne’s bedroom
Figaro and Suzanne’s bedroom. Room that Figaro and Suzanne hope to share after their marriage. The minimal furniture reflects the fact that the marriage has not yet taken place. It also emphasizes the poverty of the couple, which makes them susceptible to Marceline’s machinations.
Countess’s bedroom. The luxurious appointments emphasize the differences of class that separate the characters and cause Figaro’s struggles. The use of bedrooms, private places linked to secrecy, also coincides with the numerous plots in which the characters engage.
Throne room. This setting further stresses the power of the count with the portrait of the king representing his aristocratic connections. A secondary scene involving the count and Figaro’s proposed trip to England serves both to mock the English and to show how Figaro’s trickery will aid him.
Gallery. Public room that allows the characters to spy on one another, creating new problems. The festive decorations reflect the joy of Figaro and Suzanne, who seem to have overcome the obstacles to their marriage.
Park. Outdoor setting that functions as the location of Figaro’s famous revolutionary monologue. This is especially appropriate in that, outside the château, Figaro seems to gain increased freedom.