Biography (Critical Survey of Drama, Second Revised Edition)
Maria Irene Fornes was born in Havana, Cuba, in 1930. She immigrated with her family to the United States in 1945 and was naturalized in 1951. From 1954 to 1957, she studied painting in Europe, where she saw Roger Blin’s famous production of Samuel Beckett’s En attendant Godot (pb. 1952, pr. 1953; Waiting for Godot, 1954). Fornes returned to the United States in 1957 and worked in New York as a textile designer. During this time, she read plays and began to think about moving into theater. In 1960, she created The Widow, which was first performed in New York in 1961 and then moved to Mexico in September of that year. In 1963 she joined the playwrights unit of the Actors Studio to further develop her writing skills. In the late 1960’s, she served as a costume designer for several avant-garde theater companies including the New Dramatists Committee and the Judson Poets Theatre. Fornes also wrote during this period and had some success with plays such as The Successful Life of Three and A Vietnamese Wedding. She won her first Obie award for playwriting in 1965, the same year Successful Life of Three was produced. In 1966 she had a brief experience with Broadway when The Office, a play she had written, had several previews at the Henry Miller but never opened.
Fornes continued to work in Off-Broadway and regional American theaters throughout the 1960’s and early 1970’s. In 1972 she...
(The entire section is 332 words.)
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Biography (Cyclopedia of World Authors, Fourth Revised Edition)
Maria Irene Fornes (fawr-NAYS) was born in Havana, Cuba, in 1930. Her father did not believe in formal schooling, so she attended only the third through sixth grades. After her father’s death, she went to New York in 1945 with her widowed mother and became a naturalized American citizen in 1951. She worked at a variety of menial jobs. Her first artistic interest was painting, and in 1954 she began studying with Hans Hofmann. She spent three years in Europe in the mid-1950’s. During this time, she has said, she knew nothing about theater, but she did see the first production of Samuel Beckett’s En attendant Godot (1952; Waiting for Godot, 1954) in Paris, an experience that she has described as profound. She credits this performance and her reading of Henrik Ibsen’s Hedda Gabler (1890; English translation, 1891) with inspiring her to become a playwright several years later.
Fornes returned to New York in 1957 and worked as a textile designer. She developed a relationship with Susan Sontag, who at that time wanted to become a writer. According to Fornes, she started writing as a kind of game to encourage Sontag; both women found success fairly rapidly. Fornes’s play There, You Died! was produced by the Actors’ Workshop in San Francisco in 1963. That same year, Fornes joined the playwriting unit of the Actors Studio in New York, which produced the same play under the title Tango Palace in 1964. In 1965...
(The entire section is 558 words.)