Jean Margaret Wemyss was born on July 18, 1926, in Neepawa, Manitoba, Canada. She began writing at the age of eight, and at age thirteen she sent a story to a Winnipeg Free Press competition; in that story, she first used the name Manawaka for a town similar to her native Neepawa. She contributed stories to her school magazines and later to the university magazine when she attended United College in Winnipeg. She completed a B.A. in honors English from that institution in 1947 and went to work as a reporter on the Winnipeg Citizen. She married Jack Laurence, an engineer, and moved with him to England in 1949. In 1950, her husband was offered a job in Somaliland to build dams in the desert, and so the Laurences moved to Africa, a place that would have a strong effect on Margaret Laurence’s writing career. It was there that she began to write seriously.
In 1952, the couple moved to Ghana, where Jocelyn was born. Laurence had been translating Somali folktales and poetry, which were published as A Tree for Poverty: Somali Poetry and Prose by the Somali government in 1954. That same year, the Laurences’ son David was born. In 1957, the family returned to Vancouver, Canada.
In 1960, her novel This Side Jordan was published simultaneously in Canada, England, and the United States. Two years later, she separated from Jack Laurence and moved with her children to Buckinghamshire, England. There, she published her...
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Margaret Laurence was born Jean Margaret Wemyss on July 18, 1926, in Neepawa, Manitoba, to Robert Wemyss and the former Verna Jean Simpson. Laurence’s mother’s family was of Irish descent; her father’s, Scottish. Although she was separated from the “old country” on both sides by at least two generations, her early memories, like those of Vanessa MacLeod in the short stories in A Bird in the House and of Morag Gunn in The Diviners, are of a proud and lively Scottish ancestry.
When Laurence was four, her mother died, and her aunt, Margaret Simpson, left a respected teaching career in Calgary and went home to care for her niece. A year later, she and Robert Wemyss were married. They had one son, Robert, born only two years before his father died of pneumonia. In 1938, Margaret Simpson Wemyss took the two children and moved in with her father, the owner of a furniture store. This domestic situation in slightly altered form provides the setting for the Vanessa MacLeod stories in A Bird in the House. Laurence lived in Grandfather Simpson’s house until she went to United College, University of Winnipeg, in 1944.
John Simpson was a fierce and autocratic man of eighty-two when his widowed daughter and her two children moved in with him. Laurence resented his authority over her and her stepmother; this relationship fostered Laurence’s empathy with women struggling toward freedom. All of her heroines—Hagar Shipley, Rachel Cameron, Vanessa MacLeod, Stacey MacAindra, and Morag Gunn—struggle against oppressive forces, and Laurence’s recurring theme of the lack of communication between men and women, as well as between women and women, is rooted in the domestic situation in Grandfather Simpson’s house. It appears...
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Margaret Laurence was born Jean Margaret Wemyss on July 18, 1926, in Neepawa, Manitoba. Her ancestry was a mixture of Scottish and Irish-Canadian. She was an inveterate reader as a child and began to write stories in her childhood. She wrote stories for the school magazine; by the age of thirteen she had imagined a fictional town of Manawaka, clearly based on Neepawa. Later she would portray that town of Manawaka as the context for her heroines’ varied experiences.
Laurence’s father, Robert Wemyss, was a lawyer, and her mother, Verna Simpson, was a musician. Her maternal grandfather was a cabinetmaker and became the town undertaker. Laurence’s youth was marked with tragic losses and remarkable adaptations on the part of her family. When Laurence was four, her mother died suddenly, and her aunt came to live with her father and her. This aunt, Margaret Simpson, married Laurence’s father a year later, and the couple had one child, Robert. Laurence and her stepmother developed a close relationship that persisted throughout Laurence’s formative years. Tragedy struck again four years later when Laurence’s father died. Laurence’s stepmother faced an uncertain future since she was a woman rearing two children alone. Help arrived in the person of Laurence’s maternal grandfather, eighty-two years old and also recently widowed, who came to live with them. The grandfather was in good health and became a strong influence in Laurence’s life. Although her stepmother often became engaged in bitter conflicts with her stubborn grandfather, the two provided a stable environment for Laurence and her brother.
Laurence went to college in Winnipeg, Manitoba, and continued to write. In 1947, she was graduated and became a reporter. That same year she married an engineer, Jack...
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Margaret Laurence was always faithful to her Canadian roots as a writer. Her depiction of life on the harsh prairie landscape, particularly her creation of the fictional town of Manawaka, which functions as the setting for four of her novels and a short-story collection, is an integral part of the sense of place in her works. Her creation of strong women characters and her treatment of themes relevant to women’s experiences place her in the forefront of feminist writing. Laurence portrays women who overcome problems of identity, limited roles, the complexities of motherhood, and the perils of marriage relationships. Laurence probes the nuances of communication in human relationships and exposes the difficulties faced by...
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Jean Margaret Wemyss Laurence was one of Canada’s most successful and influential twentieth century novelists. Her mother died when she was young, and her father, after remarrying and having one son, died when that child was two years old. In 1938 the widow and her two children moved in with her autocratic father in Neepawa. In Laurence’s autobiographical stories in A Bird in the House, the grandfather appears as an authority against which the heroine and her widowed mother struggle. Laurence’s themes—struggles against oppressive forces, search for identity, and attempts to overcome failures in communication—developed from this situation. The fictional town of Manawaka is based on her hometown.
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