Mama Day proceeds, for the most part, in linear fashion and covers the period from Ophelia’s meeting with George in New York to the events occurring prior to and during the storm at the end of the novel. The novel’s present is tied to the past, so much so that Naylor provides her readers with a family tree dating back to 1799, when Sapphira Wade was born. Much of the narration is in the form of a conversation between Ophelia and George, who, although dead, communicates with his wife. Their sections involve their feelings, values, dreams, and responses to the events they experience. In addition to the first-person narratives, Naylor uses Miranda as the character through whom the third-person-limited point of view is revealed. From Miranda’s perspective, readers learn about superstition, magic, family history, and dreams.
Before the novel’s action begins (Naylor has divided the book into two parts, one focusing on New York and the events leading to George’s visit to the island, and one concerning the events that occur during his stay), Naylor provides her readers with a first-person prologue in which Miranda discusses the legend of Sapphira Wade, the history of the island, and a young college boy whose studies prevent him from understanding his past. The point of the prologue is to establish the importance of listening with a mind open to a reality at odds with facts and reason.
Part 1 concerns events in both Willow Springs and New York City, two different worlds associated with two different people, Ophelia and George, who have been shaped by their backgrounds. Although Ophelia believes that “those were awful times for a single woman in that city of yours,” she learns, with George’s help, to see the city as distinct communities and to acknowledge and overcome her own prejudices. Significantly, they are brought together by a letter...
(The entire section is 767 words.)