Michel Foucault’s premise in Madness and Civilization is that madness is the mirror image of sanity, a dark looking glass through which sane people can recognize their own features, if somewhat distorted and reversed. According to Foucault, madness is not in itself something apart and other, since its alienation and exclusion are the historical processes which Madness and Civilization recounts. Nor is madness a morbid entity that infects and attacks people who become mentally ill. He dismisses the concept of mental illness as a fiction which the psychiatric reformers such as Philippe Pinel invented to rationalize their newly acquired power over mad people. In short, the history of insanity is the story of the alienation of one aspect of the human condition. Foucault’s work actually resembles a psychiatric case history of split personality: It begins in the healthy Middle Ages but ends in a modernity alienated from itself.
This story can also be told in spatial terms. Madness during the Middle Ages was undifferentiated experience coextensive with everyday life and reality. A differentiation occurred during the Renaissance, when madness became located on the margins of life. The Renaissance ambivalence toward madness expressed itself in symbols such as the Ship of Fools and Tom o’Bedlam, madness confined in a ship in order to be liberated on the waterways of Europe and madness liberated on the highways of England in order to be...
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