Lynching in Nineteenth-Century Literature
Lynching in Nineteenth-Century Literature
The following entry provides critical commentary on the treatment of the practice of lynching in American literature during the late nineteenth century.
The subject of lynching occurs more frequently in the literature of the late nineteenth century in direct response to its increasing prevalence in the American South, where the practice was directed primarily at African Americans. Many critics have attributed the rise of this gruesome vigilante ritual to the demise of slavery. Lynching was an especially visible and violent way to send a message to recently freed African-American Southerners to refrain from stepping outside their prescribed roles, as deemed by more economically, socially, and politically powerful whites. Many writers and political reformers actively condoned and contested the widespread occurrence and acceptance of lynching.
In the racially divided South, several ballads and popular novels offered support for lynching. In his examination of popular North Carolina lynching ballads, Bruce Baker argues that attention to the songs is crucial to understanding the popular support for lynching. “To study cultural productions directly shaped by lynching, we need to concentrate on those which, although created by an individual, have been widely accepted in and have become part of the folklore of the community in which the lynching occurred,” Baker asserts.
In Hallie Erminie Rives's novel Smoking Flax (1897) a liberal young lynching opponent from New England changes his views after his bride-to-be is raped and murdered by an “educated Negro.” The rape of a white woman by a black man was often used as a pretense for lynching, although the instance was seldom proven. Price McMurray argues that Stephen Crane's novella The Monster (1899) was influenced by a lynching in the author's hometown. While the story may provide a relevant allegory for the racial climate of the late nineteenth century, McMurray also contends that Crane engaged in racial stereotyping in his characterization of the African-American protagonist.
Many African-American authors were more forthright in their views, depicting lynching as vicious and immoral. In such works as William Wells Brown's Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States (1853), Charles W. Chesnutt's The Marrow of Tradition (1901), and Sutton Elbert Griggs's The Hindered Hand, or The Reign of the Repressionist (1905), lynchings are depicted in graphic detail and the charges behind them are often revealed as false. Trudier Harris observes that, by focusing on lynching, these authors were able to encapsulate the general treatment of African Americans in white society: “The ritual becomes an ‘expected’ way in which the black writer can show white attitudes towards Blacks from historical and cultural points of view and one of the easiest ways in which readers, particularly black readers, can be urged to identify with what those attitudes have meant in terms of destruction for blacks.”
African-American journalists, too, spoke out directly about the horrors of lynching. Foremost among these writers was Ida B. Wells (later Wells-Barnett) who, as editor of the Memphis Free Speech was run out of town after publishing an editorial opposing the practice. Central to the outcry against Wells-Barnett was her contention that white women often entered into consensual sexual relationships with black men, who were later accused of rape. Wells-Barnett went on to write three influential pamphlets outlining her views: Southern Horrors. Lynch Law in All Its Phases (1892), A Red Record. Tabulated Statistics and Alleged Causes of Lynchings in the United States, 1892-1893-1894 (1895), and Mob Rule in New Orleans (1900). Wells-Barnett remained an anti-lynching activist throughout her career.
The white press, on the other hand, did not express nearly the same level of outrage. “The Black press uniformly opposed lynching, while the white press usually ignored it, excused it, or sometimes encouraged it,” Donald L. Grant notes. Due to the crusades of Wells-Barnett and others, the practice of lynching had been severely curtailed by 1940 and, accordingly, its treatment in literature waned.
William Wells Brown
Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States (novel) 1853; revised as Clotelle: A Tale of Southern States, 1864, and as Clotelle: or, The Colored Heroine: A Tale of the Southern States, 1867
Charles W. Chesnutt
The Marrow of Tradition (novel) 1901
The Monster, and Other Stories (novella and short stories) 1899
Sutton Elbert Griggs
The Hindered Hand, or The Reign of the Repressionist (novel) 1905
Hallie Erminie Rives
Smoking Flax (A Story) (novel) 1897
Ida B. Wells-Barnett
Southern Horrors. Lynch Law in All Its Phases (pamphlet) 1892
A Red Record. Tabulated Statistics and Alleged Causes of Lynchings in the United States, 1892-1893-1894 (pamphlet) 1895
Mob Rule in New Orleans (pamphlet) 1900
SOURCE: Harris, Trudier. “Literary Lynchings and Burnings.” In Exorcising Blackness: Historical and Literary Lynching and Burning Rituals, pp. 69-94. Bloomington: Indiana University Press, 1984.
[In the following excerpt, Harris provides an overview of works addressing the theme of lynching and argues that raising the topic was, for many writers, a consciously political act.]
William Wells Brown depicts a scene in Clotel in which a group of slavers pursues, captures, and later burns a slave to death for being “impudent” to his master. Four thousand slaves are brought in from neighboring plantations to witness the spectacle and to assimilate thoroughly...
(The entire section is 4793 words.)
SOURCE: Baker, Bruce E. “North Carolina Lynching Ballads.” In Under Sentence of Death: Lynching in the South, edited by W. Fitzhugh Brundage, pp. 219-45. Chapel Hill: University of North Carolina Press, 1997.
[In the following essay, Baker examines ballads associated with three lynchings in North Carolina and contends that, more than novels and poetry, folk music offers insight into attitudes toward lynching in the communities where they occurred.]
If, as if often claimed, lynchings have had profound effects on the communities in which they happened, those effects should be evident in the cultural productions of those communities. Although scholarship has begun to...
(The entire section is 11570 words.)
SOURCE: McMurray, Price. “Disabling Fictions: Race, History, and Ideology in Crane's ‘The Monster.’” Studies in American Fiction 26, no. 1 (spring 1998): 51-72.
[In the following essay, McMurray argues that Stephen Crane's novella The Monster recalls the 1892 lynching of Robert Lewis in Crane's hometown.]
The critical history of Stephen Crane's story of a black man who becomes a social outcast after his face is destroyed in a laboratory fire is divided unevenly between moralists, theorists, and historians.1 Irony and textual unity are no longer fashionable, but common sense and the bulk of informed opinion continue to find Henry Johnson less...
(The entire section is 9402 words.)
SOURCE: Davis, Simone W. “The ‘Weak Race’ and the Winchester: Political Voices in the Pamphlets of Ida B. Wells-Barnett.” Legacy: A Journal of American Women Writers 12, no. 2 (1995): 77-97.
[In the following essay, Davis examines the anti-lynching activities of Ida B. Wells-Barnett through the texts of Wells-Barnett's anti-lynching pamphlets, Southern Horrors and A Red Record.]
In her powerful anti-lynching pamphlets of the 1890s, Black activist Ida B. Wells-Barnett (1862-1931) taught her contemporaries how to read politically. Southern Horrors: Lynch Law in All Its Phases and A Red Record: Tabulated Statistics and Alleged Causes of Lynchings...
(The entire section is 10108 words.)
SOURCE: McMurry, Linda O. “Indictment of Lynching: ‘The cold-blooded savagery of white devils.’” In To Keep the Waters Troubled: The Life of Ida B. Wells, pp. 150-68. New York: Oxford University Press, 1998.
[In the following essay, McMurry delineates Ida B. Wells-Barnett's anti-lynching activism and career after the journalist's controversial departure from the Memphis Free Speech.]
“We cannot see what the ‘good’ citizens of Memphis gained by suppressing the Free Speech,” the St. Paul Appeal declared in August 1892. “They stopped the papers of a few hundreds subscribers and drove Miss Ida B. Wells to New York, and now she is telling the...
(The entire section is 7994 words.)
SOURCE: Collins, Patricia Hill. Introduction to On Lynchings, by Ida B. Wells-Barnett, pp. 9-24. Amherst, N.Y.: Humanity Books, 2002.
[In the following essay, an introduction to three of Ida B. Wells-Barnett's writings on lynching, Collins provides an overview of Wells-Barnett's activism and career and situates Wells-Barnett inside a feminist tradition.]
The resurgence of scholarly interest in the long and productive career of Ida B. Wells-Barnett (1862-1931) is long overdue. This reprint of Southern Horrors, A Red Record, and Mob Rule in New Orleans, three of Wells-Barnett's important works on lynching, makes important contributions to our understanding of...
(The entire section is 5738 words.)
SOURCE: Grant, Donald L. “The Role of the Press, Education, and the Church in the Anti-lynching Reform.” In The Anti-lynching Movement: 1883-1932, pp. 76-103. San Francisco, Calif.: R and E Research Associates, 1975.
[In the following excerpt, Grant examines the treatment of lynching in both the white and black press.]
In the 1880s the press was divided on the question of lynching along the same lines that the country was divided. The Black press uniformly opposed lynching, while the white press usually ignored it, excused it, or sometimes encouraged it. The Black press was weak, its readership small, and its editors and printing plants were subject to violence if...
(The entire section is 4336 words.)
SOURCE: Brundage, W. Fitzhugh. “‘We Live in an Age of Lawlessness’: The Response to Lynching in Virginia.” In Lynching in the New South: Georgia and Virginia, 1880-1930, pp. 161-90. Urbana and Chicago: University of Illinois Press, 1993.
[In the following essay, Brundage details responses to lynching by politicans and the press in Virginia in the late nineteenth and early twentieth centuries.]
Opposition to lynching in Virginia mounted slowly. Even at its strongest, it faced daunting obstacles. Opposition to mob violence was controversial everywhere in the South because virtually any discussion of the legitimacy of lynching touched upon white attitudes about...
(The entire section is 16500 words.)
Brown, Mary Jane. Eradicating This Evil: Women in the American Anti-Lynching Movement 1892-1940. 357 p. New York: Garland Publishing, 2000.
Discusses female anti-lynching activists from 1892 to 1940, when the anti-lynching crusade was at its height.
Carby, Hazel V. “‘On the Threshold of Woman's Era’: Lynching, Empire, and Sexuality in Black Feminist Theory.” Critical Inquiry 12, no. 1 (autumn 1985): 262-77.
Evaluates the anti-lynching writings of Ida B. Wells-Barnett and Pauline Hopkins in the context of black feminist theory.
Esteve, Mary. “Vicious Gregariousness: White...
(The entire section is 509 words.)