Summary (Masterplots II: Short Story Series, Revised Edition)
Ayah sits under a cottonwood watching snow fall and recalling events in her past. The sound of the wind reminds her of the songs of the holy people, the Yeibechei, and the snow is like the tufts of wool that her mother and grandmother wove when she was a little girl. Sitting under an army blanket, a gift from her eldest son, Jimmie, she remembers his birth in a stone hogan. Her mind moves to the day a representative from the government came to the ranch where she and Chato, her husband, were living to tell them about Jimmie’s death in combat. The messenger had not understood their wish not to have the body returned. She had not cried at the time but had mourned later, when Chato’s horse fell on him, breaking his leg, and the rancher for whom they worked refused to pay Chato again until he could work. She remembers grieving, too, for this eldest son after the two youngest surviving children, Danny and Ella, were taken away from her, evidently because the Bureau of Indian Affairs (BIA) authorities feared that the children might contract tuberculosis. She had tried to foil the agents, hiding all day with the children until the government car left. However, more officials and BIA police had arrived the next day and taken the children: Ayah had unwittingly signed her permission. She remembers resenting Chato for many years, punishing him by keeping her distance, because he had taught her the skill that lost her the children. She realizes that she and Chato are really...
(The entire section is 559 words.)
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