“At Luca Signorelli’s Resurrection of the Body” is a long, free-verse poem of 106 lines divided into eighteen stanzas; the first seventeen stanzas have 6 lines and the final stanza contains 4 lines. The lines of this poem are mostly short and vary from two to six syllables per line, although some lines have as many as eight or nine syllables. The title immediately locates the poem’s speaker in front of a fresco by Luca Signorelli, an Umbrian painter known for depicting muscular bodies in violent action, capturing them in a wide variety of poses and foreshortenings. Resurrection of the Body is in the San Brizo Chapel in Orvieto Cathedral, where, between 1499 and 1502, Signorelli painted a series of scenes depicting the end of the world.
Jorie Graham’s persona speaks in the first person in a voice that is likely analogous to, if not wholly imitative of, the voice of the poet. With the speaker’s voice so similar to Graham’s, one is encouraged to read the tone of this poem as serious and philosophical. It appears that Graham will attempt to pose an answer to the introductory question, “Is it better, flesh/ that they/ should hurry so?” The poem is organized into three unannounced sections that show the speaker’s meditation progressing from one subject to another. The first section comprises the first thirty-three lines, in which Graham gazes at the details of the fresco. She notices the violence of the bodies and points out how the...
(The entire section is 490 words.)