Study Guide

Love for Love

by William Congreve

Love for Love Analysis

Historical Context

The Restoration
England is one of the world’s most politically stable countries. It has been ruled in substantially the same...

(The entire section is 923 words.)

Love for Love Literary Style

Irony
Wit, the skill most valued by the Restoration, depends upon a masterful use of irony if it is to convey an author’s...

(The entire section is 322 words.)

Love for Love Compare and Contrast

1690s: England is ruled by King William III; the near-absolute power of the monarchy enjoyed by Queen Elizabeth I and King James II...

(The entire section is 345 words.)

Love for Love Topics for Further Study

Research the ‘‘Glorious Revolution’’ of 1688. Who was the king who was deposed? Why were people unhappy with him? Who replaced him?...

(The entire section is 185 words.)

Love for Love Media Adaptations

Restoration is not a filmed adaptation of Love for Love, but it is a fascinating portrayal of life in the Restoration period....

(The entire section is 74 words.)

Love for Love What Do I Read Next?

The Way of the World, originally produced in 1700, is Congreve’s best-known play. In this play, many critics feel, Congreve created...

(The entire section is 159 words.)

Love for Love Bibliography and Further Reading

Sources
Hughes, Derek, English Drama 1660–1700, Clarendon Press, 1996.

Love, Harold, Congreve, Basil...

(The entire section is 277 words.)

Love for Love Bibliography (Critical Survey of Literature for Students)

Hoffman, Arthur W. Congreve’s Comedies. Victoria, B.C.: English Literary Studies, University of Victoria, 1993. Includes a chapter on Love for Love that focuses on the roles of Valentine and Angelica as romantic hero and heroine and on Sir Sampson as blocking agent. Shows how Congreve skillfully employs allusions to biblical, classical, and Shakespearean traditions.

Markley, Robert. Two-Edg’d Weapons: Style and Ideology in the Comedies of Etherege, Wycherley, and Congreve. New York: Oxford University Press, 1988. Argues that Congreve is stylistically a transitional figure, with his plays falling in style between earlier satirical comedies and the later...

(The entire section is 441 words.)