Candelaria, Cordelia. Chicano Poetry: A Critical Introduction. Westport, Conn.: Greenwood Press, 1986. In an early evaluation of Cervantes’s poetry, Candelaria writes that Emplumada reveals a “fresh, forceful, and multifaceted” talent and places her work in the third and final phase of Chicano poetry, after protest poetry and the development of a “Chicano poetics.”
Harris-Fonseca, Amanda Nolocea. “Lorna Dee Cervantes.” In Latino and Latina Writers, edited by Alan West-Duran et al. Vol. 1. New York: Scribner’s, 2004. Harris-Fonseca provides a detailed discussion of Cervantes’s first two collections of poetry and the differences between them, with analyses of several key poems.
“Lorna Dee Cervantes.” In After Aztlán: Latino Poets of the Nineties, edited by Ray González. Boston: David R. Godine, 1993. Contains a section providing a basic biography of the poet and analysis of her works, and also places her among other Latino poets.
“Lorna Dee Cervantes.” In The Bloomsbury Guide to Women’s Literature, edited by Claire Buck. New York: Prentice Hall, 1992. This entry provides basic information on Cervantes’s life and works, while placing her in the feminist context.
McKenna, Teresa. “’An Utterance More Pure Than Word’: Gender and the...