Loren D. Estleman Analysis


(Masterpieces of Fiction, Detective and Mystery Edition)

Loren D. Estleman is one of the most stylish followers of the hard-boiled detective tradition invented by Dashiell Hammett, refined by Raymond Chandler, and imitated by hundreds of others. Although many hard-boiled detective-fiction writers strain for effect or lapse into parodies of the genre, Estleman is rarely self-conscious, allowing the colorful descriptions and humorous quips to emerge from the characters and situations rather than being clumsily imposed on his material.

Detroit and its environs are even more central to Estleman’s fiction than to that of fellow Michigan native Elmore Leonard , to whom he is often compared. In all three of his series, Estleman portrays the city as an urban playground for decay and violence. Amos Walker’s nostalgia for the past is in part a reaction to what has happened to a once-great city. Estleman treats Detroit inhabitants more sympathetically than he does the spoiled, even more dangerous folks who have fled to the affluent suburbs. Just as it is difficult to imagine Hammett without San Francisco and Chandler without Los Angeles, Estleman owns the Motor City.

Estleman’s many awards include American Mystery Awards from Mystery Scene Magazine for Downriver (1988) and Whiskey River (1990) and four Shamus Awards from the Private Eye Writers of America for Sugartown (1984) and the short stories “Eight Mile and Dequindre” (1984), “The Crooked Way” (1988), and “Lady on Ice” (2003), and he was twice named Outstanding Mystery Writer of the Year by Popular Fiction Monthly. He was honored by the Michigan Foundation of the Arts in 1987 and received the Michigan Author Award from the Michigan Library Association in 1997. He earned several other honors for his western fiction. Estleman received an honorary doctorate from Eastern Michigan University in 2002.

Loren D. Estleman Bibliography

(Masterpieces of Fiction, Detective and Mystery Edition)

Estleman, Loren D. “Golden Blonde.” Interview by Mary Anna Tennenhouse. Publishers Weekly 250, no. 16 (April 21, 2003): 42. Interview about Poison Blonde, Walker’s love-hate relationship with Detroit, and the logo he designed for his books.

Estleman, Loren D. “The Man from Motor City.” Interview by Keith Kroll. The Armchair Detective 24, no. 1 (1991): 4-11. Interview with Estleman in which he discusses how his police-beat reporting inspired his fiction, the importance of Detroit to his work, and the influence of Raymond Chandler.

Estleman, Loren D. “Not Enough to Be a Good Man.” Interview by Leonard Picker. Publishers Weekly 254, no. 7 (February 13, 2006): 65. Interview in which Estleman explains how Walker has mellowed over the years and how he differs from Robert B. Parker’s Spenser.

Hynes, Joseph. “Looking for Endings: The Fiction of Loren D. Estleman.” Journal of Popular Culture 29, no. 3 (Winter, 1995): 121-127. Compares the Walker and Detroit series, analyzing the first three titles in the latter. Concludes that the Detroit books have a more panoramic view than the Walker novels.

Walker, Dale L. “Loren Estleman.” Mystery Scene 58 (1997): 56-59, 65. Good overview of Estleman’s career as both mystery and Western writer, with emphasis on the latter.