“London” is a sixteen-line poem composed of four stanzas of alternatively rhyming short lines. “London” is included in the “Songs of Experience” section of William Blake’s larger work, Songs of Innocence and of Experience (1794) and contributes to Blake’s portrait of fallen human nature.
Blake focuses his attention on the condition of London, England, the capital not only of the country but also of “culture,” yet, as the four stanzas make abundantly clear, Blake does not share the opinion that this city sets a positive example. Each stanza of “London” points out ways in which the British monarchy and English laws cause human suffering.
The poem is written in the first person and reports the narrator’s observations as he walks through the streets of London. Stanza 1 opens near the River Thames, the heartline of the British Empire; it connects the capital city with the rest of the world. Here Blake observes that everything he sees is “charter’d”—owned by and bound to someone—including the river, which ironically should flow freely to the ocean. The narrator comments that everywhere he looks he sees unhappiness and people suffering.
The second stanza reports what the narrator hears as he walks these imprisoning avenues: human cries of anguish and fear. Not only does he find this suffering in individual misery, but Blake also says that the legal dictates he hears carry with them threats to...
(The entire section is 517 words.)