Albert Albinus, a bland wealthy supporter of the arts, happily married and the father of an eight-year-old daughter, Irma, whom he idolizes, lacks only one thing in his comfortable life: He has never experienced a grand sexual passion. The novel opens with Albinus about to embark on such an adventure, and the narrator announces in the first short paragraph that Albinus will abandon his wife for a mistress, that he will love her but will not be loved in return, and that his life will end in disaster.
After such dismissive contempt for the tradition of keeping the plot secret, the narrator tells the reader that Albinus has already met the woman who will be his downfall and is thinking vaguely of her, while also thinking about a film project using the services of an artist, Axel Rex, who is, as the novel begins, away in the United States. Rex will, ironically, be partially responsible for Albinus’ final disaster.
Albinus has encountered a pretty young woman working as an usherette in a Berlin film house and has become infatuated with her. Margot Peters, whose life is aimless but filled with dreams of becoming a film star, takes up with Albinus, determined to use his money and connections to launch her career. She finds him attractive but does not love him, and she quickly draws him away from his wife and child, determined not only to make him pay for his pleasures but also to marry him, and later, if her film career is successful, to abandon him. Albinus, ashamed of his treatment of his family, is quite helpless and yet so deeply enchanted by Margot that he cannot resist her. He does finance a minor film in...
(The entire section is 667 words.)