Themes and Meanings (Masterplots II: Poetry, Revised Edition)
Robert Hass has described “I Know a Man” as “the poem of the decade about a world gone out of control,” while Creeley has spoken of the “senses of confusion and muddiness and opaqueness that people obviously feel in their lives” and which he tried to express in the poem. These insights together represent the dual focus of the poem—it is a reaction to chaos surrounding the poet and a response to the uncertainty that he regards as a prime component of his own psychic makeup. As Charles Altieri has observed, one of Creeley’s goals is to construct “an aesthetic space for the multiple facets of the self,” and in “I Know a Man,” the conversational exchange is both a dialogue with another person and a reflective interior monologue in which alternative courses of action are debated. The friend called “John” is a representative of what Creeley sees as a fixture of friendship, a quality he values, and the phrase “I know a man” is used as a form of compliment that implies the friend’s usefulness for both support and caution. In other words, the poet is describing an intimate encounter in which he feels close enough to the “other”—whether an aspect of his mind or an actual person—to share some of his deepest concerns.
The poem approaches the problem of stasis, a condition of dread that requires a bold stroke summoning energy from any available source. The “goddamn big car” is both a literal means of escape and a figure...
(The entire section is 663 words.)
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