Summary (Masterplots II: British and Commonwealth Fiction Series)
Rather than being a traditional novel with a neat linear structure and compact plot, Kanthapura follows the oral tradition of Indian sthala-purana, or legendary history. As Raja Rao explains in his original foreword, there is no village in India, however mean, that has not a rich legendary history of its own, in which some famous figure of myth or history has made an appearance. In this way, the storyteller, who commemorates the past, keeps a native audience in touch with its lore and thereby allows the past to mingle with the present, the gods and heroes with ordinary mortals.
The story is narrated in flashback by Achakka, a wise woman in the village. She, like her female audience (whom she addresses as “sisters”), has survived the turbulence of social and political change which was induced by Mohandas K. Gandhi’s passive resistance against the British government. Achakka provides a detailed picture of the rural setting, establishing both an ambiance and a rhythm for the novel. It is clear that her speech and idiomatic expression are meant to express a distinctively feminine viewpoint an extraordinary achievement for a male Indo-English novelist. Achakka quickly creates a faithful image of an Indian way of life, circumscribed by tradition and indebted to its deities, of whom Kenchamma, the great and bounteous goddess, is made the village protectress. She is invoked in every chapter, for the characters never forget that her power resides in...
(The entire section is 893 words.)
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