Juan Rulfo Biography

Biography (Great Authors of World Literature, Critical Edition)

Juan Rulfo (REWL-foh) has been recognized as one of the greatest modern Mexican novelists, one of the forerunners of the “boom” in Latin American fiction of the 1960’s, and one of the initiators of Magical Realism. He was born to a landowner family impoverished by the Mexican Revolution. Both his parents died in his early childhood; his father and various other relatives were assassinated. The brutality of the countryside Cristeros uprising of 1926 to 1929 persisted in his memory. Rulfo was raised both in an orphanage and by relatives. He studied law in Guadalajara, but he soon moved to Mexico City to pursue his literary ambitions. He scraped a bare living working as an immigration officer, a salesman for a tire company, a movie scriptwriter and television producer, and, after 1962, as the director of the editorial department of the National Institute of Indian Affairs. As adviser to the Mexican Center of Writers, he helped to educate generations of Mexican literati. In 1970 Rulfo received the National Prize for Literature; in 1980 he became a member of the Mexican Academy of Language; and in 1985 he was awarded the prestigious Cervantes Prize in Spain.

Rulfo’s fame rests on two slim volumes, the collection of short stories The Burning Plain, and Other Stories and, especially, the novel Pedro Páramo, in which he distilled his stark vision of the Mexican countryside ravaged by the revolution, poverty, and violence. Páramo can be translated as “wasteland.” His photographs in Inframundo are a powerful companion to his vision of Mexican barren landscapes. Although he began to write earlier, Rulfo found his characteristic voice in the mid-1940’s when he began to craft, one by one, his masterpiece stories. Behind the deceptively simple facade of his rustic characters and their discourse stripped to “bare bones” hides a stunning virtuosity of narrative technique. Each story is...

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Juan Rulfo Biography (Literary Essentials: Short Fiction Masterpieces)

Juan Rulfo was born in Barranca de Apulco, in Jalisco, Mexico, on May 16, 1918, but his family soon moved to San Gabriel, in the same state of Jalisco, where the young Rulfo suffered the assassination of his father in 1925 and the death of his mother by heart attack two years later. In 1928 Rulfo enrolled in an orphanage in Guadalajara run by Josephine nuns, where he remained until 1932, when he entered the seminary to become a priest. He left the seminary upon the death of his grandmother, preferring to study business and law. A strike at the University of Guadalajara forestalled his higher education, and in 1935 he moved to Mexico City, where he immediately began working in the Office of the Ministry of Migration. He left the Ministry in 1946 to become a traveling salesman for Goodrich Tires. He married Clara Aparicio in 1948 and had four children. He worked in public relations for Goodrich, then in publishing and television before joining the Instituto Indigenista in 1962.

Rulfo published his first stories in periodicals as early as 1945. In 1952 a fellowship at the Center for Mexican Writers made it possible for him to complete and collect his stories for his first book, The Burning Plain, and Other Stories. A second year of fellowship allowed him to complete his novel Pedro Páramo. Though he continued to write, Rulfo did not continue to publish, publishing only a novelette, screenplays, and occasional essays of literary criticism until his death on January 7, 1986, from lung cancer.

Juan Rulfo Biography (Society and Self, Critical Representations in Literature)

Juan Rulfo’s father, a rural landowner, was murdered when Rulfo was six years old. The boy was sent to boarding school in Guadalajara. Two years later, his mother died. Rulfo did not receive the news until after she was buried. The orphaned Rulfo went to live with an uncle in Mexico City. Ashamed of Rulfo’s provincial manners, the uncle asked him to change his name. Juan Pérez thus became Juan Rulfo. He spent the rest of his life searching for the pieces of himself that he had lost before he turned sixteen: his father, his mother, his name.

In Mexico City, Rulfo took a government job. Shy and lonely, he would remain in the office after hours writing fiction. His first novel (never published) was titled Hijo del desaliento (child of despair). It was the biography of a young man in search of his place in the world. A coworker read one of Rulfo’s stories and had it published. Later, a friend published other stories by Rulfo in a Guadalajara magazine. Rulfo’s fame spread.

Many of Rulfo’s stories treat the theme of identity as a quest for family roots. One of his first tales, “Macario,” tells of an orphan living with his godmother, yearning to be reunited with his dead parents. Another relates the journey of a group of landless peasants searching for a place to settle permanently. A third story concerns a girl who loses a cow—her dowry—in a flood, and with it her only chance for a husband and a family. Still another orphaned Rulfo character declares: “It’s hard to grow up knowing you’re the branch of a dead tree.”

By the mid-1960’s, Rulfo was admired and influential. Gabriel García Márquez confesses that reading Rulfo’s works gave him the key for completing his own masterpiece, Cien años de soledad (1967; One Hundred Years of Solitude, 1970). Carlos Fuentes calls Rulfo Mexico’s greatest novelist.

Rulfo was a loner to the end. He would go to extremes to avoid meeting people. Sometimes Rulfo even changed his appearance in order to escape notice. He once arrived for an interview in disguise. Deciding not to grant the interview, Rulfo fled without revealing who he was. Rulfo died in 1986 of lung cancer.

Juan Rulfo Biography (Masterpieces of World Literature, Critical Edition)

ph_0111228826-Rulfo.jpgJuan Rulfo Published by Salem Press, Inc.

Juan Rulfo (REWL-foh) was born in 1918 in Barranca de Apulco, a small town in the state of Jalisco, Mexico, and grew up in neighboring San Gabriel, a small town approximately three hundred miles northwest of Mexico City. Rulfo spent his entire life in various places in Mexico, including the cities of Guadalajara and Mexico City. The various locales and people of Mexico serve as the inspiration for Rulfo’s most important work, the short-story collection, El llano en llamas (1953, revised 1970 and 1980; The Burning Plain, and Other Stories, 1967), and his influential novel, Pedro Páramo (1955, revised 1959, 1964, 1980; English translation, 1959, 1994).

Rulfo’s early years were touched by family tragedy. His father, Juan Nepomuceno Perez Rulfo, was murdered during the Cristero Revolt, and his mother, Maria Vizaino Arias, died of a heart attack in 1927. Rulfo lived for a short time with his grandmother in Guadalajara, where he took advantage of her being the caretaker for the library of the local priest. He read voraciously in the collection of books, many of which were adventure stories, for which he developed a great fondness.

Rulfo was eventually sent to an orphanage in Guadalajara, where he studied accounting, and, at the age of fifteen, moved to Mexico City to study accounting, law, and literature at the university while living with an uncle. Shortly thereafter, without completing a degree, Rulfo was compelled by financial necessity to take a job at the Mexican immigration department, where he worked for more than ten years. During World War II, as part of...

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Juan Rulfo Biography (Masterpieces of World Literature, Critical Edition)

Although his output of work is small, Juan Rulfo produced two influential works, The Burning Plain and Pedro Páramo. Rulfo helped initiate the renaissance of Latin American literature by experimenting with techniques associated with European literary modernism and what would become Magical Realism. His portraits of the Mexican Indians of Jalisco come directly from the experiences of his early years growing up near San Gabriel and Guadalajara. Although the lives he depicts are rife with suffering and hopelessness, Rulfo combines rich experience, memory, and emotion into unique narratives told in sparse but poetic language.