Themes and Meanings (Masterplots II: Drama, Revised Edition)
The Infernal Machine is not merely a modernization of a Greek myth but also a twentieth century exploitation of themes and meanings left unexplored in its principal source, Sophocles’ play Oidipous Tyrannos (pr. c. 429 b.c.e.; Oedipus Tyrannus), into which Jean Cocteau integrates an illumination of the playwright’s relationship with his creation. On one level, Cocteau exposes the political and social dilemmas latent in the myth, to provide a commentary upon the problems of threatened national security, economic crises, and simmering social tensions confronting France in the turbulent international and domestic climate of the 1930’s. In the play, ordinary people of low intellect, with their ordinary preoccupations, are powerless to influence events. Even when they could, they do not. The soldiers decide not to report Laius’s final warning, which, though incomplete, might have alerted Jocasta to the danger. They are more concerned with problems of status and bureaucracy than with questions of national importance. The mother who converses with the Sphinx is an ignorant gossip, but she strikes a chillingly realistic note when she alleges that the Theban government is corrupt and incompetent and that it welcomes the threat posed by the Sphinx because it diverts attention from the bankruptcy of domestic policies. The analogy to the series of weak French governments in the early 1930’s is inescapable, as is...
(The entire section is 539 words.)
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