Although Conrad Aiken’s title might suggest that “Impulse” concerns a whimsical, unpremeditated action, the story actually examines an ostensibly “impulsive” action and finds, instead, that the “impulse” is really the logical culmination of a series of actions in the life of Michael Lowes, the protagonist. If fact, the story is a fictionalized psychological study of a paranoid “loser,” whose attempts to escape from reality are self-destructive acts that lead to his arrest and conviction for theft and to an impending divorce from his wife.
Just as he is left alone in his cell at the end of the story, Michael is significantly alone when the story begins, and because he is shaving, he is also characteristically narcissistic. As he shaves, his thoughts reveal a gamut of psychological problems: Ready “to do a new jump,” he projects his “restless” feelings on his wife, Dora; “fate is always against you”; his “friends” are inferior, “cheap fellows, really”; and he twice mentions his need for “escape.” Michael uses his “friends” to enhance his own self-image, while he maintains a distance from them (he denies that he “likes” them), and he also seems threatened by Dora and the family relationships and responsibilities that the marriage represents. Those responsibilities are represented by the “bills,” which he procrastinates paying and which are the result of the “bad luck” that hounds him.
To gain needed respite from his responsibilities, he schemes to meet Smith, Bryant,...
(The entire section is 632 words.)