Dandies, of which there are many in Wilde’s play, are a phenomenon of nineteenth- and earlytwentieth- century Europe. Dandies were men that were known for their commitment to fashion— usually extravagant fashion—and for their love of all things beautiful in general. Nineteenth-century dandies in the new mega-cities such as, Paris, London, and New York, would stroll elegantly down pedestrian boulevards and frequent fashionable places. It is said that their exquisite nature and distaste for all things rough and vulgar stemmed from their dismay over a changing world. Specifically, these city dandies were witnessing the industrialization of their environment. This involved a change from a world where rural living was dominant to a world where factories in new urban centers were being rapidly built—with all their belching, polluting coal smoke, as well as their horribly exploited and impoverished workers (ten–twelve hour or more workdays, pitifully inadequate pay, and six, sometimes seven-day work weeks). What they saw was ugliness and the worship of money no matter the environmental and human cost, so they rejected the practical and spoke for the value of the ephemeral, the delicate, and the beautiful. It was a way of insisting that the creation of wealth was evil if the quality of peoples’ lives was the price.
Wilde himself was a dandy in dress for some time. After graduating from Oxford, he spent a few years dressing in what was then considered exquisite fashion when he went out in the evenings. He did not go so far as to dress unusually in the daytime, however.
Many photographs of Wilde in one of his ‘‘exquisite’’ outfits exist; and...
(The entire section is 693 words.)