Conrad blends many of his recurrent themes in Heart of Darkness. Chief among them are the education of a young man in search of the meaning of self and society in an ambiguous universe, the solitary and necessary reliance upon self, the oppositions of the values of civilization and savagery as well as their intersections, and the oppositions of appearance and reality and of innocence and experience replete with the tensions inherent in those eroding oppositions that blur at times into sameness. In blending all of these themes into his narrative Conrad also molds them into his habitual and overarching theme of tale-telling, the communication of experience and a sense of reality, the ruminations of a narrator attempting to sort out reality so that his listeners may see it, and the power and imperfections of language as the instrument of thought.
This is a tale of many voyages. The voyage into the heart of an immense darkness is a voyage into the collective
unconsciousness of the human race, a quest after the meaning of intelligent life in an alien and brutal universe. The voyage is also a descent into the underworld, not unlike the journeys in Virgil and Dante. This voyage is also one of self-discovery as Charlie Marlow attempts, many years later, to continue to make sense of his experience and to communicate his self-exploration to his listeners on board the yawl Nellie. Finally, there is the emotional voyage of one of Marlow's listeners, who is the...
(The entire section is 275 words.)
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Alienation and Loneliness
Throughout Heart of Darkness, which tells of a journey into the heart of the Belgian Congo and out again, the themes of alienation, loneliness, silence and solitude predominate. The book begins and ends in silence, with men first waiting for a tale to begin and then left to their own thoughts after it has concluded. The question of what the alienation and loneliness of extended periods of time in a remote and hostile environment can do to men's minds is a central theme of the book. The doctor who measures Marlow's head prior to his departure for Africa warns him of changes to his personality that may be produced by a long stay in-country. Prolonged silence and solitude are seen to have damaging effects on many characters in the book. Among these are the late Captain Fresleven, Marlow's predecessor, who was transformed from a gentle soul into a man of violence, and the Russian, who has been alone on the River for two years and dresses bizarrely and chatters constantly. But loneliness and alienation have taken their greatest toll on Kurtz, who, cut off from all humanizing influence, has forfeited the restraints of reason and conscience and given free rein to his most base and brutal instincts.
Deception, or hypocrisy, is a central theme of the novel and is explored on many levels. In the disguise of a ‘‘noble cause,’’ the Belgians have exploited the Congo. Actions taken in the name of philanthropy are merely covers for greed. Claiming to educate the natives, to bring them religion and a better way of life, European colonizers remained to starve, mutilate, and murder the indigenous population for profit. Marlow has even obtained his captaincy through deception, for his aunt misrepresented him as ‘‘an exceptional and gifted creature.’’ She also presented him as ‘‘one of the Workers, with a capital [W] … something like an emissary of light, something like a lower sort of apostle,’’ and Conrad notes the deception in elevating working people to some mystical status they can not realistically obtain. At the end of the book, Marlow engages in his own deception when he tells Kurtz's fiancée the lie that Kurtz died with her name on his lips.
Order and Disorder
Conrad sounds the themes of order and disorder in showing, primarily through the example of the Company's chief clerk, how people can carry on with the most mundane details of their lives while all around them chaos reigns. In the larger context, the Company attends to the details of sending agents into the interior to trade with the natives and collect ivory while remaining oblivious to the devastation such acts have caused. Yet on a closer look, the Company's Manager has no talent for order or organization. His station is in a deplorable state, and Marlow can see no reason for the Manager to have his position other than the fact that he is never ill. On the other hand, the chief clerk is so impeccably dressed that when Marlow first meets him he thinks he is a vision. This man, who has been in-country three years and witnessed all its attendant horrors, manages to keep his clothes and books in excellent order. He even speaks with confidence of a Council of Europe which intended Kurtz to go far in ‘‘the administration,’’ as if there is some overall rational principle guiding their lives.
Sanity and Insanity
Closely linked to the themes of order and disorder are those of sanity and insanity. Madness, given prolonged exposure to the isolation of the wilderness, seems an inevitable extension of chaos. The atmospheric influences at the heart of the African continent—the stifling heat, the incessant drums, the whispering bush, the mysterious light—play havoc with the unadapted European mind and reduce it either to the insanity of thinking anything is allowable in such an atmosphere or, as in Kurtz's case, to literal madness. Kurtz, after many years in the jungle, is presented as a man who has gone mad with power and greed. No restraints were placed on him—either from above, from a rule of law, or from within, from his own conscience. In the wilderness, he came to believe he was free to do whatever he liked, and the freedom drove him mad. Small acts of madness line Marlow's path to Kurtz: the Man-of-War that fires into the bush for no apparent reason, the urgently needed rivets that never arrive, the bricks that will never be built, the jig that is suddenly danced, the immense hole dug for no discernible purpose. All these events ultimately lead to a row of impaled severed human heads and Kurtz, a man who, in his insanity, has conferred a godlike status on himself and has ritual human sacrifices performed for him. The previously mentioned themes of solitude and silence have here achieved their most powerful effect: they have driven Kurtz mad. He is presented as a voice, a disembodied head, a mouth that opens as if to devour everything before him. Kurtz speaks of ‘‘my ivory … my intended … my river … my station,’’ as if everything in the Congo belonged to him. This is the final arrogant insanity of the white man who comes supposedly to improve a land, but stays to exploit, ravage, and destroy it.
Duty and Responsibility
As is true of all other themes in the book, those of duty and responsibility are glimpsed on many levels. On a national level, we are told of the British devotion to duty and efficiency that led to systematic colonization of large parts of the globe and has its counterpart in Belgian colonization of the Congo, the book's focus. On an individual level, Conrad weaves the themes of duty and responsibility through Marlow's job as captain, a position...
(The entire section is 2349 words.)