Themes and Meanings (Masterplots II: Drama, Revised Edition)
As its title suggests, Happy Days focuses on the persistent human desire to believe that humankind’s cruelly limited and meaningless existence can be seen as “happy.” Winnie, the play’s central character, is obviously and comically limited. Buried in an earthen mound set in the midst of a barren and unchanging plain, she struggles to survive in a cultural and spiritual void. Even her waking and sleeping are conditioned by a Pavlovian bell that rings unpredictably and irresistibly. Condemned to a timeless and uneventful purgatory of unchanging light and unvarying landscape in which even the basic temporal sequence of day and night is no longer available, Winnie is deprived of the external patterns that give human existence a comforting semblance of order. With no prospect of meaningful action short of suicide, Winnie works to fill this arbitrarily divided time by performing routine personal tasks, examining her mundane possessions, cherishing each insignificant bit of new information, and talking. She uses the slightest occurrence to maintain her illusion that she is living another “happy day.”
The desperate need to communicate, no matter how imperfectly, is central to Winnie’s condition. Her speech is a clutter of partially remembered bits of poetry, a cultural montage that she creates in an effort to link herself to the “old time” when life seemed to offer greater meaning. To continue, she must believe that human communication...
(The entire section is 472 words.)
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