Frank O’Connor, pseudonym of Michael O’Donovan, was a prolific writer whose output includes poetry, biography, essays, drama, novels, and short stories. It is his short stories that have made the biggest impact on literature, but as Michael L. Storey notes, his recognition as a top rated author has been slow to come because many critics were reluctant to put ‘‘short story writers into the same league with novelists, poets, and dramatists.’’ Now this has changed.
However popular he is becoming now, things were not so positive at the beginning. For his early publications in The Irish Statesman, he used his middle name and his mother’s maiden creating the name Frank O’Connor. He did this to separate himself from the reputation of his hard-drinking abusive father and for political reasons, to avoid connection with the Irish revolutionary, Jeremiah O’Donovan. His first volume of stories, Guests of the Nation, was published in 1931 and was well received. During the 1930s he published a novel, some poetry, and the biography of Michael Collins, an important leader in the Irish Rebellion and negotiator of the peace agreements at the end of the Rebellion. Despite these successes, the strongly Roman Catholic Irish Government’s Censorship Board took issue with some of the topics in his stories, according to Ruth Sherry. As a result, it became difficult for him to get his work published. By 1940, he was under a ban among even Irish publishers and broadcasters. To circumvent this, he used another pseudonym, Ben Mayo (an identity that was kept secret until after his death), for a series of newspaper articles in the Sunday Independent. These articles covered such disparate topics as farm life, poverty in city slums, a more practical education, and the need for theaters, libraries, and arts societies in...
(The entire section is 754 words.)