The title story in Butler’s 1992 collection begins with Dao, a very old Vietnamese man who now lives in New Orleans with his family, recounting his most recent dream in which he is visited by the ghost of former Vietnamese leader Ho Chi Minh, whom he had known in London in 1917 and in Paris in 1918. Dao’s three dreamed conversations with Ho Chi Minh alternate with his narration of scenes in which he becomes convinced that his extended family is keeping a secret from him. He suspects, however, that the mystery is connected with the recent murder of the publisher of a Vietnamese newspaper in New Orleans. Dao engages in dream conversations with Ho Chi Minh in which they debate the two divergent paths they chose: Dao became a Buddhist, and Ho Chi Minh led a political revolution and then a war. Dao finally comes to realize that his son-in-law and grandson were directly involved in the recent political murder.
Dao’s story interlaces the past and his dreams with the present, a plot structure realistically motivated by the aging narrator’s inability to separate reality and fantasy, past and present. At the level of technique, this intertwining of the three strands is reinforced with multiple patterns of imagery. The title of both the story and the book, the image of “a good scent from a strange mountain,” illustrates Butler’s method. The phrase itself is a translation of the four Chinese characters Bao Son Ky Huong, the saying of the Hoa Haos, the...
(The entire section is 411 words.)