Geraldo No Last Name Analysis

Style and Technique (Comprehensive Guide to Short Stories, Critical Edition)

The writing style of “Geraldo No Last Name” is simple, as is Cisneros’s style in her other House on Mango Street vignettes. Simulating the speech patterns of the story’s young narrator, the language is economical, as if the narrator wishes to express as many ideas as possible in the fewest possible words. In this respect, Cisneros’s prose resembles poetry by compressing ideas. Moreover, there are no superfluous embellishments in her prose, so that the reader easily accepts the presence of a young narrator telling Geraldo’s story in her own words. In addition to the reader, there is evidence that the narrator is relating the story to someone else whom she addresses as “you” in the fifth paragraph of the story.

The encounter of Marin and Geraldo is presented immediately in the opening sentences: “She met him at a dance. Pretty too, and young.” The narrator clarifies rather quickly the idea that the young man is “pretty” or looks pretty when she mentions that he is wearing his “Saturday shirt.” This is equivalent to stating that he is wearing his Sunday clothes—those that he reserves for when he is not working.

The hit-and-run accident that kills Geraldo is also mentioned early in the story, for this tragedy is an integral part of the major theme of the story, Geraldo’s anonymity. Marin’s fondness for dancing, which provides the reason for her being in the dance hall that night, is amply explained by...

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Geraldo No Last Name Bibliography (Comprehensive Guide to Short Stories, Critical Edition)

Brackett, Virginia. A Home in the Heart: The Story of Sandra Cisneros. Greensboro, N.C.: Morgan Reynolds, 2005.

Cisneros, Sandra. “The Authorized Sandra Cisneros Web Site.” http://www.sandracisneros.com/home .html.

Cisneros, Sandra. “From a Writer’s Notebook: Ghosts and Voices—Writing from Obsessions, Do You Know Me? I Wrote The House on Mango Street.” The Americas Review 15 (Fall/Winter, 1987): 69-73, 77-79.

Jussawalla, Ferosz, and Reed W. Dasenbrock, eds. Interviews with Writers of the Post-Colonial World. Jackson: University Press of Mississippi, 1992.

Kevane, Bridget A., and Juanita Heredia. “A Home in the Heart—An Interview with Sandra Cisneros.” In Latina Self-Portraits: Interviews with Contemporary Women. Albuquerque: University of New Mexico Press, 2000.

Olivares, Julián. “Sandra Cisneros’ The House on Mango Street and the Poetics of Space.” In Chicana Creativity and Criticism: Charting New Frontiers in American Literature, edited by Maria Herrera-Sobek and Helena María Viramontes. Houston: Arte Publico Press, 1988.

Petty, Leslie. “The ’Dual’-ling Images of la Malinche and la Virgen de Guadelupe in Cisneros’s The House on Mango Street.” Melus 25 (Summer, 2000): 119-132.

Rodriguez-Aranda, Pilar E. “On the Solitary Fate of Being Mexican, Female, Wicked, and Thirty-Three: An Interview with Writer Sandra Cisneros.” The Americas Review 18 (Spring, 1990): 64-80.

Tompkins, Cynthia. “Sandra Cisneros.” In American Novelists Since World War II, 4th Series, edited by James and Wanda Giles. Vol. 152 in Dictionary of Literary Biography. Detroit: Gale, 1995.

Valdéz, Maria Elena de. “The Critical Reception of Sandra Cisneros’s The House on Mango Street.” In Gender, Self, and Society, edited by Renate von Bartelben. Frankfurt: Peter Lang, 1993.