Short-story writer George Saunders’s success is highly attributable to his faith in the farthest depths of his imagination and his ability to comment on American ideologies through biting satirical stories woven into hilarious voices. His two collections of short fiction and his children’s book earned him a place on The New Yorker’s list of twenty best American writers age forty and under and honors that include a nomination for the PEN/Hemingway Award.
Born in Amarillo, Texas, in 1958, Saunders relocated with his family to the South Side of Chicago, where his father worked for Peterson Oil and Coal, a company that supplied heating products to apartment buildings. Saunders named his parents as early influences. From his mother he inherited a West Texas sense of humor that applied invented voices to extensive, embellished scenarios. His father would often return from work with amusing and frightening stories about his day—his anecdotes included that of being rescued by an African American woman while being held at gunpoint against a Coke machine on the afternoon of Martin Luther King, Jr.’s assassination in 1968—and spend Sunday evenings laughing himself to tears in front of the television while watching Monty Python’s Flying Circus. His father also encouraged reading and introduced his son to books by Niccolò Machiavelli, Upton Sinclair, and what would later become a great influence upon his unique sentence structure, Esther Forbes’s novel Johnny Tremain (1943).
After high school, Saunders relinquished his plans to join a rock band in order to attend the Colorado School of Mines. While pursuing his B.Sc. in geophysical engineering, he often put off studying for differential equations exams by reading Ernest Hemingway novels in the library. His early attempts at writing came in 1981 while working as a field geophysicist in Sumatra, Indonesia. In the jungle camp, he penned stories of the life he was currently living while emulating the prose of Hemingway and Thomas Wolfe. Because of a stomach illness, he returned to the United States in 1983 and traveled the country while reading the works of Jack Kerouac. Saunders worked at odd jobs, such as slaughterhouse knuckle puller, convenience store clerk, and bar-band guitarist. Though he wrote on the side, it was not until he discovered Stuart Dybek’s stories about Chicago’s working class that he saw the writing life...
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