George Orwell Long Fiction Analysis
Excepting Animal Farm, most critics view George Orwell’s fictions as aesthetically flawed creations, the work of a political thinker whose artistry was subordinate to his intensely didactic, partisan passions. This reaction to Orwell’s novels was generally promoted posthumously, since his fiction in the 1930’s was often ignored by the larger reading public and panned by those reviewers who did pick up one of his books. The early academic critics—up to the late 1960’s—were often Orwell’s personal friends or acquaintances, who tended to see his early novels as conventionally realistic and strongly autobiographical. Even his masterpieces, Animal Farm and Nineteen Eighty-Four, were viewed as formally undistinguished, however powerful their message. It was not until the second generation of critics began looking at Orwell’s fiction that a more balanced assessment was possible.
Orwell’s first published novel, Burmese Days, concerns the life of John Flory, an English policeman in Burma during the early 1920’s. The plot is fairly straightforward. After a lengthy introduction to Flory’s personality and daily life, Orwell dramatizes him as a man blemished with a physical stigma, a birthmark, and puzzled by moral dilemma—how to deal with the increasingly rebellious natives, to whom he is secretly sympathetic but against whom he must wield the club of imperialistic authority....
(The entire section is 3339 words.)
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