Themes and Meanings (Masterplots II: Poetry, Revised Edition)
In his preface to Fables Ancient and Modern (1700) the seventeenth century poet laureate John Dryden commented that The Canterbury Tales offers the reader “God’s plenty,” that here one finds “the various manners and humoursof the whole English nation in [Chaucer’s] age.” The “General Prologue” does indeed portray a cross-section of fourteenth century England’s middle class. Although both Chaucer and his wife belonged to court circles, none of the pilgrims come from the aristocracy, nor are any of them destitute. The picture that Chaucer presents is at least in part painted from life. The Cook who accompanies the five guildsmen bears the name, if not all the traits, of the actual victualer Hodge of Ware. The Merchant may be patterned after Gilbert Mawfield, to whom Chaucer and some of his friends owed money. The Prioress speaks French in the manner of one from Stratford-at-Bow. Near that town was the Benedictine convent of St. Leonard’s. Chaucer’s first audiences may have recognized the model for his worldly nun.
Realism is not, however, reality. Chaucer made his characters memorable by drawing on literary convention as well as on his own experiences, particularly on estates satire, popular at the time. The late fourteenth century in England witnessed the rise of Lollardism, which attacked clerical corruption. The Prioress of the “General Prologue” shows kindness to animals but not to people. Both the Monk and...
(The entire section is 486 words.)
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