Critical Evaluation

The Frogs is deservedly one of the best-known plays of Aristophanes. It took the first prize for comedy on first being presented at an annual drama festival in Athens, and it continues over the centuries to retain much of its freshness and exuberance. As a depiction of the foibles and follies of men and gods alike, the play is great satirical fun. The high point of the comedy, however, is the witty debate between Aeschylus and Euripides as to which of them produced the better tragedies. Some knowledge is desirable of Aristophanes’ opinions and the times in which he lived, of the Athenian crisis at the end of the Peloponnesian War, and of Aeschylus and Euripides.

The play starts with the absurdity that Bacchus braves the terrors of the underworld to bring Euripides back to life. On this conceit Aristophanes builds a farcical sequence of situations, all of which defy reason and probability. It is important to know that shortly before Aristophanes wrote The Frogs, Bakchai(405 b.c.e.; The Bacchae, 1781), Euripides’ last play, was produced, in which Euripides portrayed Bacchus (Dionysus), who is both the god of wine and the god of the theater, as a powerful, mysterious, fearless, and vengeful being. It is therefore all the funnier that Aristophanes shows him as a weak, pedestrian, cowardly, and pacific god who is obviously flattered by Euripides and wants him brought back to life to continue the praise. The humor of the first half of The Frogs is devoted to exposing Bacchus as a fraud and, by implication, Euripides himself. The Bacchae was awarded first prize, posthumously; and the chorus of frogs in Aristophanes’ comedy represents the popular clamor that greeted Euripides’ play.

Having thoroughly routed Bacchus, Aristophanes brings Euripides and Aeschylus on stage to engage in comic debate. Euripides is depicted as an upstart in Hades. Recently dead, he tries to wrest the chair of honor from Aeschylus. Obviously, Aristophanes regarded Euripides as a base-born upstart in life as well, for the tragedian also appeared as a farcical character in Acharns(425

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