Masterplots II: Women’s Literature Series Frankenstein Analysis
Any interpretation of Shelley’s novel must come to terms with the central relationship between Victor and his creature. When one reads the monster’s story in his own words, it is impossible not to feel sympathy for him. As a result, Victor must share some of the blame for the monster’s violent acts. How much? How much other blame is to be uncovered in this novel that is so full of pain and death? Why, too, in this novel written by a woman are the female characters flat and uniformly blameless? The question Shelley’s contemporaries asked was, as she put it, “How I, then a young girl, came to think of, and to dilate upon, so very hideous an idea?” Taken together, these questions seem to ask: What is this young woman writer saying about the masculine culture of her day?
Interpretations of the novel have seen considerable cultural criticism implicit in it. It has been read as a critique of modern science, for example. In this interpretation, Victor represents the tendency of science to divorce itself from ethics. As a scientist, Victor does not consider the consequences of his research, and he does not take responsibility for them when they are tragic. What is more, this lapse in Victor’s judgment arises in part from his absence from home, both literally and figuratively: In order to do his work, he must cut himself off from other human beings. Other interpretations of Victor have emerged. It has been argued that he represents the Byronic hero, the Faustian quality of the male Romantic poet. Shelley quotes often in the novel from the poetry of Samuel Taylor Coleridge, William Wordsworth, and Percy Bysshe Shelley, and the poems help to express Victor’s (and Walton’s) sense of isolation and the haunted, feverish energy that dooms them.
Other interpretations of Victor and his monster have focused on the scenario of bringing life into the...
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