Themes and Meanings (Masterplots II: Short Story Series, Revised Edition)
“The Fly” is a story of death. It begins with a meeting of two men who have lost sons in the war, and it ends with the death of a fly. In a deeper sense, however, there are six deaths indicated in the story.
When the boss first looks at old Woodifield, he sees a man who appears to be totally different from him. Woodifield is retired. He is dominated by his wife and daughters, who keep him in the house every day except Tuesday, when they dress him up and send him out to visit his friends. His passive, infantile life causes the boss to think of him as a baby. He is useful as someone to impress and to patronize. The boss enjoys offering him whiskey, which Woodifield’s women deny him; thus, the boss can assert his own power, which elevates him above the rules of Woodifield’s own bosses. Even Woodifield’s forgetfulness suggests the decline he has suffered since his stroke. Clearly Woodifield is on the downhill road toward death; yet the fact that he could not remember the girls’ visit to his son’s grave suggests a second death, the death of his son’s memory in his own mind.
On the surface, the boss is very different from Woodifield. He is healthy and active. He dominates Macey, his messenger, as a master would a dog. However, he thinks that his life ended six years ago, when the son for whom he intended the business was killed in the war. In response to his son’s death, the boss himself has died, or so he thinks.
(The entire section is 650 words.)
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