Summary (Identities & Issues in Literature)
Troy Maxson, the protagonist of August Wilson’s Fences, is the son of a frustrated sharecropper whose harshness drove off his wives and Troy. Troy has made his way north to a world where African Americans live in shacks and are unable to find work. Troy takes to stealing, kills a man, and is sent to prison, where he learns how to play baseball, which he loves and at which he excels. Segregation confines Troy, after prison, to the Negro Leagues. He is angry at the racism that frustrates his attempt at achieving the American Dream in the most American of sports, but he remains resilient. Fences celebrates his indomitable spirit, while acknowledging his flaws.
The play opens in 1957, when Troy is fifty-three years old. He is appealing in the zest with which he dramatizes his life. A battle with pneumonia becomes a time when he wrestles with a white-robed and hooded Death, and buying furniture on credit from a white man becomes making a deal with the devil. His friend Bono seems to acknowledge the African American tradition of these tall tales when he comments: “You got some Uncle Remus in your blood.” The audience learns of Troy’s admirable defiance at work in questioning the sanitation department’s policy of having all the whites drive while the blacks do the lifting. Troy also has an affectionate teasing relationship with Bono and his wife Rose.
As the play continues, however, Troy erects fences between himself and those he loves. He refuses to allow his son to accept a football fellowship to college and then forces him to leave home. Troy loses contact with Bono after being promoted at work. Troy hurts his wife through an extramarital affair, and he commits his brain-damaged brother, Gabe, to a mental institution so he can collect part of Gabe’s government checks.
Although Troy has tragic flaws, the ending of Fences is not tragic. A spirit of reconciliation is brought by Gabe, who has been allowed to leave the mental hospital to attend his brother’s funeral. Gabe thinks that, when he blows his trumpet, Saint Peter will open the pearly gates and allow Troy into Heaven. Gabe’s horn lacks a mouthpiece, however, and, distraught, he performs a dance, connected, presumably, to pre-Christian African ancestors. In performance, the stage is then flooded with light, indicating that the gates have opened.
Summary (Masterplots, Fourth Edition)
Longtime friends Troy Maxson and Jim Bono are participating in their Friday (payday) night ritual of drinking and talking on Troy’s porch. They discuss a complaint Troy had filed about working conditions that deny black garbage workers the opportunity to drive garbage trucks. Jim shifts the conversation to the subject of Alberta, for whom he believes Troy has more than a passing interest, but Troy denies the accusation.
Rose, Troy’s wife, joins Troy and Jim on the porch. Troy explains to Jim about how he and Rose first met; Rose corrects his version of what happened. Troy and Rose disagree about shopping at the local black grocery store versus shopping at the A&P supermarket. Their difference of opinion continues when they discuss their teenage son, Cory, and his plans to play college football. Troy tells a story about how he had wrestled Death and won. Lyons, Troy’s son by an earlier marriage, stops by. Troy anticipates that he wants to borrow money. Lyons rejects Troy’s offer to get him a job because it is his music that gives his life meaning. Troy directs his son to get ten dollars from Rose, because she is the one who gets her husband’s paycheck every Friday.
The next morning, Rose sings while she hangs up the laundry, and Troy considers her playing the numbers as a waste of money. Gabriel, Troy’s younger brother, visits. He suffers from a World War II brain injury, which has left him mentally deficient. He carries with him a basket of discarded fruits and vegetables as well as an old trumpet tied around his waist. Gabe, as he is called, is concerned that Troy is angry with him for moving out of their house. After Gabe leaves, Rose expresses concern that her brother-in-law may not be eating properly at his new boardinghouse, and she and Troy discuss the possibility of having him hospitalized again. Troy feels that no one wants to be locked up. He recalls that if it had not been for Gabe’s injury, he would have the same condition, too. Rose expects her husband to work on the fence, but he says that he is going down to Taylor’s.
Cory wants to know from his father why the family does not have a television. Troy responds by instructing his son on the importance of not going into debt. They discuss Troy’s baseball days and current baseball players. Troy wants his son to work, not to play football. Troy’s opposition prompts Cory to ask why his father does not like him. Troy responds by talking about responsibility. Cory is his son and he is obligated to take care of him, but he does not have to like him. Rose overhears their conversation and tells Troy that he is more than forty years old and too old to play in the major leagues. She says that the world is changing around him.
Two weeks later, Cory leaves the house carrying his football equipment, and Troy and Jim celebrate Troy’s promotion to garbage-truck driver. When Lyons returns the ten dollars he had borrowed, he reminds his father that Cory is nearly grown up. Troy, however, is upset that Cory has pretended to be keeping his job at the A&P when he is really sneaking off to football practice without telling his father. Troy confides to his older son that he had been abused by his own father, abuse that had caused him to leave home for good when he was fourteen years old. He reminisces, too, about meeting Rose, meeting Jim, and learning to play baseball. Lyons invites his father to hear him play at the Grill, but Troy turns down the invitation. Cory comes home upset...
(The entire section is 1429 words.)
Summary (Magill's Survey of American Literature, Revised Edition)
Wilson received his first Pulitzer Prize for Fences, which also won several Tony Awards during its Broadway run. The powerful family drama is set during the 1950’s, when the first hints of change in race relations often gave rise to generational conflicts between hopeful young black men and their wary, experience-scarred parents.
The play was inspired by Wilson’s memories of his own stepfather, a onetime high school football player who had hoped to win an athletic scholarship and study medicine, only to find that no college in Pittsburgh would give a scholarship to a black player.
In Fences, Wilson’s stepfather, Troy Maxson, is a proud, hardworking garbageman who once played baseball in the Negro Leagues. Embittered by the disappointments of his own life, Troy refuses to believe that times have changed when his son, Cory, is offered a football scholarship. Certain that athletics hold no hope of a better life for his son, Troy refuses to sign the necessary papers, effectively denying Cory his chance at a college education. Troy also deeply angers his wife when she learns that he has fathered a child by another woman, an act that destroys the bond that has held the couple together throughout their bleak life together.
At the heart of the play’s father/son conflict is an unbridgeable disparity between Troy and Cory’s abilities to believe that society can indeed change the way it treats black Americans....
(The entire section is 419 words.)