Modern critical analysis of nineteenth-century women's literature seeks, in part, to understand the underlying reasons that women authors, especially in America, Britain, and France, were able to gain such widespread exposure and prominence in an age known for its patriarchal and often dismissive attitude toward the intellectual abilities of women. In addition, scholars have examined the broad thematic concerns that characterize much of the literary output of nineteenth-century women writers, many arguing that it was in the nineteenth century that gender-consciousness and feminist attitudes first came to the forefront of the literary imagination, changing forever how the works of female authors would be written and regarded.
The number of published women authors was greater in the nineteenth century than in any preceding century. Women's access to higher education increased exponentially during the century, providing them with skills that they could use to develop their art. The growth of market economies, cities, and life expectancies changed how women in Europe and the United States were expected to conform to new societal pressures, and made many women more conscious of their imposed social, legal, and political inequality. Finally, the many social reform movements led by nineteenth-century women, such as religious revivalism, abolitionism, temperance, and suffrage, gave women writers a context, an audience, and a forum in which they could express their views. While most scholars agree that many women writers expressly or tacitly accepted the separate sphere of domesticity that the age assumed of them, they also argue that as the century progressed, an increasing number of women began to express, in their writing, their dissatisfaction with gender relations and the plight of women in general. Throughout the Victorian era, the "woman question" regarding woman's true place in art and society was a subject that was hotly debated, spurred in large part by the rapid rise in literature by and for women.
At the beginning of the nineteenth century, women writers were largely confined to the genres of children's literature and poetry. The emotionalism of poetry, particularly poetry in which depth of feeling and sentiment, morality, and intuition were expressed and celebrated, was considered a "feminine genre," suitable for women writers. As nineteenth-century women increasingly began to write fiction, however, critical reviews of the age often derided the inferior talents of women novelists, faulting what they perceived as women's lack of worldly experience, critical judgment, and rationality—traits thought to characterize men—and dismissing their works as little better than pulp designed to appeal to the unrefined tastes of an ever-expanding female readership. Many of the century's greatest novelists, including Charlotte Brontë, George Eliot, Mary Shelley, and George Sand, never completely escaped the condescension of critics whose negative assessments of their works were often based on the author's gender. Scholars argue that the legacy of this sexism has been a historic dismissal of the work of many of the age's most popular, gifted, and influential women writers, consistently judged as unworthy of academic study.
Some modern critics have continued to disregard the contributions of nineteenth-century women authors, while others have noted that by the end of the century, women novelists were more prevalent, and often more popular, than male novelists. Others have focused on representations of women in literature written both by men and women to illuminate the full spectrum of expectations of and perspectives on women and their perceived roles in society. Commentators have also compared the thematic concerns of women writers in England, France, and the United States, recognizing in these three cultures intersecting movements toward creative and feminist literary expression. In recent decades, critics have examined the contributions of African American and Native American women authors, as well as the influence of the nineteenth-century periodical press, analyzing the increasing radicalism of journals and essays edited and written by feminist pioneers such as Frances Power Cobbe and Sarah Josepha Hale.
Toward the end of the century, nineteenth-century women writers expanded their subject matter, moving beyond highlighting the lives and hardships suffered by women locked in domestic prisons. Instead, they increasingly expressed their individualism and demanded more equal partner-ships—in marriage, public life, law, and politics—with men.