Standing posthumously somewhere behind Fear and Loathing in Las Vegas is the figure of Horatio Alger, Jr. A nineteenth century author of rags-to-riches fairy tales, Alger wrote stories describing how the littlest guy, through nothing more than hard work and determination, could succeed and achieve the American Dream. The conclusions to which Thompson takes that initial premise in Fear and Loathing in Las Vegas probably go well beyond anything Alger ever possibly conceived.
The plot itself is simple. Thompson and his lawyer, operating under the absurd pseudonyms Raoul Duke and Dr. Gonzo, respectively, are sent out to Las Vegas to cover the Mint 400, a motorcycle race across the desert. Upon receiving the assignment, both Duke and Gonzo come upon the notion that the assignment itself is really only subordinate, and is treated as such, to a much greater project: the quest for the American Dream. While Thompson often invokes Alger’s thoughts and occasionally his words, to reiterate his quest, never in the narrative are any causal connections established between his assignment (proper) and his quest (conceived and undertaken).
To accomplish this more self-styled gonzo project, Duke and Gonzo formulate a plan to infiltrate the seedy underbelly of Las Vegas under the influence of a cornucopia of drugs and alcohol. What follows from here is little more than a travelogue of Duke and Gonzo’s adventures over the course of a few days through Las Vegas’s hotels, bars, and drug scene as they revel in their own indulgence to an unfathomable degree....
(The entire section is 648 words.)