Places Discussed (Cyclopedia of Literary Places)
Journey to Paradise
Journey to Paradise. Long journey from life to death that Death orders Everyman to make. Everyman is to take with him his full book of accounts; he must be careful, as he has done many bad deeds and only a few good ones. When he reaches Paradise, he will be required to account for his life. Death permits Everyman to take with him on his journey any companions he wishes, but only Good-Deeds goes with him the entire way.
With several stops along the way, Everyman’s journey takes on a dual purpose. On one hand, the image of his traveling from place to place to find a suitable companion is similar to a realistic trip; on the other, and on a more spiritual plane, Everyman’s peregrination characterizes his quest for salvation. On this path, Everyman is damned until he realizes that he must free himself of his sins before he is permitted to enter the heavenly sphere. He can accomplish that task only with the help of the sacraments and his own good deeds.
House of Salvation
House of Salvation. Place where Everyman receives the sacrament of penance from Confession. On a certain level, the House of Salvation represents Heaven and is where the play begins—with God speaking about humankind’s forgetfulness of his son’s sacrifice—and ends with the angel taking Everyman’s soul, as does human life.
Compare and Contrast
Topics for Further Study
What Do I Read Next?
Bibliography and Further Reading
Bibliography (Cyclopedia of Literary Characters, Revised Third Edition)
Sources for Further Study
Davenport, W. A. Fifteenth-Century English Drama: The Early Moral Plays and Their Literary Relations. Totowa, N.J.: Rowman and Littlefield, 1982. A useful overview to the play, its genre, and contemporary works written in the same or a similar genre. Bibliographical references, index.
Foster, Edward E. “Everyman.” In Masterplots, edited by Frank N. Magill and Laurence W. Mazzeno. 2d ed. Vol. 4. Pasadena, Calif.: Salem Press, 1996. Half of the essay is dedicated to an insightful critical evaluation of the play.
Kaula, David. “Time and the Timeless in...
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