Because its major purpose is to show how the late nineteenth century “crisis” of homosexual/heterosexual identity reverberated throughout twentieth century Western culture, Epistemology of the Closet cannot be assigned to a single discipline or field of study. The book cuts across the boundaries of gay and lesbian studies, cultural studies, and literary criticism. Readers who are largely unfamiliar with the basic principles and vocabulary of deconstruction, psychoanalytic theory, and other contemporary cultural and literary theories will find Sedgwick’s analyses difficult, if not impenetrable, at points, as she often relies heavily on technical terminology. (She attempts in her introduction to define terms and concepts, but her explanations are themselves often filled with jargon and abstractions.) Yet, if the writing style is often opaque, it is also often remarkably personal, even confessional.
As she explains in the introduction, a main strand of argument in her book is “deconstructive.” In other words, she attempts to demonstrate that homosexual/heterosexual, masculine/feminine, knowledge/ignorance, private/public, secrecy/disclosure, and a host of other “symmetrical binary oppositions” are inherently unstable and incoherent because each paired term is dependent on its opposite for its meaning. For example, any definition of “public” must somehow hinge on an understanding of “private,” and vice versa. As part of her...
(The entire section is 956 words.)
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