Introduction (Critical Survey of Poetry: Topical Essays)
A question that can be asked of any century’s poetry is whether it owes its character to “forces”—nonliterary developments to which the poets respond more or less sensitively—or whether, on the other hand, the practice of innovative and influential poets mainly determines the poetry of the period. Clearly, great poets do not always shape the literature of their century, as the cases of the twin giants of seventeenth century England, William Shakespeare and John Milton, indicate. What Ben Jonson wrote of Shakespeare is true of both: They are “not of an age, but for all time!” John Donne and John Dryden, however, are poets who seem to have stamped their personalities on much of the poetry of their own and succeeding generations.
John Donne and John Dryden
John Donne (1572-1631) turned twenty-nine in the year 1601. John Dryden (1631-1700), busy to the last, died at the end of the century. Thus a century brimming with good poetry may be said to begin with Donne and end with Dryden. On most library shelves, Donne and Dryden are both literally and figuratively neighbors. If not the shaper of poetry in the first half of the century, Donne stands at least as its representative poet, while Dryden, born only a few months after Donne died in 1631, probably has an even more secure claim to the same position in the final decades of the...
(The entire section is 920 words.)
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