Biography (Magill's Survey of American Literature, Revised Edition)
Elizabeth Bishop was born in Worcester, Massachusetts, the daughter of Thomas and Gertrude Bulmer Bishop. Both of her parents were of Canadian heritage, but her paternal grandfather had left Prince Edward Island to establish a well-known building firm in Worcester that was responsible for such landmark buildings as the Boston Public Library and Museum of Fine Arts.
Bishop’s father died a few months after her birth, and as a result of this her mother suffered a breakdown and was treated in a sanatorium in Boston. In 1916, her mother returned to Canada for further treatment in proximity to her family, but the result was another breakdown that required her confinement in a mental hospital in Nova Scotia, where she remained until her death in 1934. Effectively an orphan, therefore, Elizabeth passed her early childhood with her mother’s family in Great Village, Nova Scotia; some of her poems reflect memories of this time.
At the age of six, Bishop was taken to live with her paternal grandparents in Worcester. Some critics have suggested that she sensed the move as something like an expulsion from paradise and that images of simplicity and family affection such as she had known in Great Village continued all of her life to represent life’s highest good. In Worcester she began to be frequently ill, suffering again from the bronchitis she had contracted in Great Village, to which were added asthma and a number of other diseases. In order to give her happier surroundings, her grandfather arranged for her to live with her mother’s sister in Boston. From the age of eight, she began to read poetry and fairy tales; she has mentioned Walt Whitman and Gerard Manley Hopkins as early poetic favorites.
Bishop entered boarding school at the age of sixteen, at the Walnut Hill School in Nantick....
(The entire section is 786 words.)
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Biography (Magill's Survey of American Literature, Revised Edition)
Bishop carved a secure niche for herself in twentieth century poetry through the careful crafting of her few meticulously polished works. If some of her poems seem to evade involvement with the world in favor of a highly polished surface that will be most attractive to those who find refuge from action in words, others pose more centrally the very questions and problems that the more distant ones seem to avoid. Critics are united in their praise for her technique, and admiration for her understatement in an age of loudness continues to grow.
Much of Elizabeth Bishop’s work is informed by a childhood of dislocation and loneliness. Fatherless at eight months of age, Bishop and her widowed mother moved from Massachusetts to Nova Scotia. When Bishop was four, her mother was permanently institutionalized after several nervous breakdowns, and Bishop never saw her again. After a brief, unhappy stay with her father’s family, she was placed in her aunt’s care in Boston. Thus travel and identity as a guest are two of Bishop’s most persistent metaphors.
After graduation from Vassar College, Bishop traveled extensively in Europe, finally settling in Key West, Florida, for nine years. In 1946, she received an award for her first book of poetry, North and South. Using simple, everyday occurrences of tropical life as subject matter, she established her reputation as a master of poetic craft, exploring themes of isolation, loneliness, and self-discovery through allegory, myth, and exquisite observation of detail.
On a visit to South America, Bishop fell in love with a wealthy acquaintance, Lota Soares. Bishop remained in Brazil with Lota for fifteen years, where she completed the Pulitzer Prize-winning Poems: North and South—A Cold Spring. These poems revisit Nova Scotia, her travel themes. Images of Brazil with its lush tropics, and political unrest and race and...
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Biography (Critical Survey of Poetry: American Poets)
Elizabeth Bishop is a poet of geography, as the titles of her books testify, and her life itself was mapped out by travels and visits as surely as is her poetry. Eight months after Bishop’s birth in Massachusetts, her father died. Four years later, her mother suffered a nervous breakdown and was hospitalized, first outside Boston, and later in her native Canada.
Elizabeth was taken to Nova Scotia, where she spent much of her youth with her grandmother; later, she lived for a time with an aunt in Massachusetts. Although her mother did not die until 1934, Bishop did not see her again after a brief visit home from the hospital in 1916—the subject of “In the Village.”
For the rest of her life, Bishop traveled: in Canada, in Europe, and in North and South America. She formed friendships with many writers: Robert Lowell, Octavio Paz, and especially Marianne Moore, who read drafts of many of her poems and offered suggestions. In 1951, Bishop began a trip around South America, but during a stop in Brazil she suffered an allergic reaction to some food she had eaten and became ill. She remained in Brazil for almost twenty years. During the last decade of her life, she continued to travel and to spend time in Latin America, but she settled in the United States, teaching frequently at Harvard, until her death in 1979.
Biography (Cyclopedia of World Authors, Fourth Revised Edition)
“The art of losing isn’t hard to master” is the refrain in Elizabeth Bishop’s masterful villanelle “One Art,” and the irony cuts several ways at once. She spent her life as a woman and as a poet modestly—and fiercely—perfecting that “art.” She never knew her father, a prominent builder who died at the age of thirty-nine, before her first birthday. Her grief-stricken mother had to be institutionalized in her native Nova Scotia in 1916, and Bishop never saw her again; she received news of her death as she graduated from Vassar in 1934. Raised by her Canadian grandparents and an aunt, Bishop searched all her life—in Manhattan, Paris, Morocco, Key West, Seattle, San Francisco, various places in Brazil, at Harvard University, and finally in a wharf flat with a marvelous view of the harbor in Boston—for “home.” Through her successive losses of all these homes, she created, for her readers as well as for herself, the place wherein to resolve and objectify all memory and all loss: her verse.
Bishop had a gift for forging deep relationships with cats, birds, flowers, and seascapes as well as with people. Her relationships with people included those with children and common folk in the Brazilian slums and highlands; a succession of lovers, mainly women, who remained friends; revered literary figures such as William Shakespeare, Emily Dickinson, and Charles Baudelaire; and such living colleagues as Marianne Moore (her first verse tutor), Robert Lowell (who later wondered why he had not married her in 1948), Randall Jarrell, Adrienne Rich, John Berryman, Anne Sexton, James Merrill, and John Ashbery.
Bishop, one of the first twentieth century American poets, had an eye, sharp, objective, and intelligent, with which she zeroed in on concrete physical detail. That detail is carefully chosen to operate within a...
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