This descendant of Pierre Corneille and Victor Hugo, the last great romanticist of the French theater, was born the son of a prominent journalist and economist. Like so many other dramatists, Edmond Rostand (raw-stah) was educated in law, although his interest was in poetry. His first publication was a book of poems, Les Musardises, published in 1890 and dedicated to Rosemond Gérard, whom he married that same year. Generally considered overly personal, his book earned less respect than his wife’s collection of poems Les Pipeaux (1889), cited by the French Academy for its sensitivity.
Despite his unpromising beginning and his dislike of the climate, he settled in Paris as a professional writer. While he never sought praise or even approval—indeed, his inclinations, interests, and tastes ran counter to the feeling of the times—he won both for the 1894 Comédie Française production of The Romancers (the title has also been translated as The Romantics), a slight comedy in which the young lovers take their cues from Romeo and Juliet. He wrote several plays for actress Sarah Bernhardt: In The Far Princess she played the title role, falling in love with a troubadour; in The Eaglet Bernhardt essayed the role of Napoleon’s ineffectual son.
Edmond Rostand’s penchant for writing starring roles for outstanding actors gave the world its most famous poetic drama, the historical romance...
(The entire section is 558 words.)