Summary (Masterplots, Fourth Edition)
A private party is being held at Antoine’s, a New Orleans restaurant that has been a landmark since 1840. The purpose of the party, hosted by wealthy businessman Orson Foxworth, is to introduce his niece Ruth, who is visiting for the Mardi Gras season, to a circle of his friends. Ruth soon notes tensions between Odile St. Amant, her husband Léonce, and her sister Caresse. Odile is suffering from a nervous disorder, and her husband is openly flirting with Caresse. Foxworth, who has been in Central America for some years on business, is renewing his affection for Amélie Lalande and seriously considering marriage. During dinner, Ruth begins a friendship with Russell Aldridge. Following dinner, the party adjourns to the Blue Room for dancing, but Odile is forced to leave early by symptoms of what is later diagnosed as Parkinson’s disease.
The next day, Doctor Perrault tells Odile she will become completely helpless and dependent yet might live for many years. Despondent, Odile meets with Sabin Duplessis, an old friend with whom she once was in love. When he had been mistakenly declared killed in action during World War II, Odile had become attracted to St. Amant and subsequently married him. However, Sabin still loves Odile, and when she asks him for a war souvenir, a German pistol, he gives it to her.
While Odile and Sabin are rediscovering their love for each other, Caresse and Léonce are about to begin an affair. However, an automobile...
(The entire section is 560 words.)
Want to Read More?
Subscribe now to read the rest of Dinner at Antoine's Summary. Plus get complete access to 30,000+ study guides!
Bibliography (Masterplots, Fourth Edition)
Bond, Barbara. “Romances with Tension.” The New York Times Book Review, November 21, 1948, p. 43. Review of Dinner at Antoine’s that describes it as a “high-society” mystery that will be predictable for mystery fans but entertaining for Keyes’s loyal readers.
Bonin, Jane F. “Frances Parkinson Keyes: Mining the Mother Lode.” Louisiana Literature 5, no. 1 (Spring, 1988): 71-77. Focuses on Keyes’s ability to evoke place and her skill in describing both the look and the manners of New Orleans’s Creole aristocracy.
Ehlers, Leigh A. “’An Environment Remembered’: Setting in the Novels of Frances Parkinson Keyes.” Southern Quarterly 20, no. 3 (Spring, 1982): 54-65. Analyzes Keyes’s use of setting to underline events in her plots.
Hamner, Earl. Generous Women: An Appreciation. Nashville, Tenn.: Cumberland House, 2006. Includes a chapter discussing Keyes’s representation of New Orleans as a “gift” to her readers.
Keyes, Frances Parkinson. “Self-Portrait.” In The Book of Catholic Authors, edited by Walter Romig. 5th ser. Grosse Pointe, Mich.: Walter Romig, n.d. Keyes provides background on her career as a writer.
Kirkus, Virginia. “The Value of the Best Seller: An Appraisal of Frances Parkinson Keyes.” English Journal 40, no. 6 (June, 1951): 303-307. Kirkus defends Keyes as an author, refuting her critics and pointing out her sound scholarship, as well as her skill at writing entertaining fiction.
Wernick, Robert. “The Queens of Fiction: Keyes, Caldwell, Ferber Reign Perennially over Best-Sellerdom.” Life, April 6, 1959, p. 139. Discusses Keyes’s habits as a researcher and as a writer. Notes that her novels are not long on plot but are full of atmosphere.