“Design” was completed for the 1936 volume A Further Range, but Frost had completed an earlier version of the poem as far back as 1912 without attempting to publish it. In the tradition of New England Puritanism, it details closely a small event in nature and attempts to interpret its meaning for humanity. Since the revolution in scientific thought stimulated by Charles Darwin’s On the Origin of Species (1859), however, poetry of this sort has been less likely to underline a received article of Christian or other transcendent faith. Frost’s poem is a questioning one in the form of an Italian sonnet whose octave, or first eight-line unit, is balanced against the closing six-line sestet.
The speaker comes upon “a dimpled spider, fat and white” that has captured and killed a moth against the background of a white flower called a heal-all. The octave describes the scene, which is all “in white” (to quote a phrase not in the poem that stood as Frost’s original title for it). The description is ironic: The disarmingly attractive spider and the moth are “characters of death and blight/ Mixed ready to begin the morning right.” The spider is also compared to a snowflake, and the very name of the flower suggests the opposite of “death and blight.”
The sestet asks three questions, the third of which seems to answer the first two but is then qualified in the last line: Why did the killing take place on a white...
(The entire section is 564 words.)