Biography (Magill's Survey of American Literature, Revised Edition)
Denise Levertov was born October 24, 1923, in Ilford, Essex, England, the daughter of Paul Philip Levertoff, a Russian Jew who converted to Christianity and became a minister, and Beatrice Spooner-Jones, a Welsh preacher’s daughter. Until she was thirteen years old, Denise and her sister were educated by their parents at home. The environment was rich in books and cultural discussion; her mother read the great works of nineteenth century literature aloud to the family, and her father was literate in four languages. She did receive some formal education in the form of ballet study from age twelve through seventeen and, in addition, took French lessons, learned piano, and painted, all of which would later aid the development of her rhythm and style. Her parents had been prisoners of war at Leipzig during World War I, so many refugees came to their home. The resultant religious, social, and ethical discussions that took place there profoundly influenced her life and works.
This background provided a natural environment for learning to write, and at age five, Levertov decided to become a poet. When she was twelve, she sent some of her work to T. S. Eliot, himself a venerable poet of great esteem and, at the time, someone dealing with conflicting concerns about poetics, religion and social issues, who responded with an encouraging letter of advice. At...
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Biography (Magill's Survey of American Literature, Revised Edition)
In her book of essays Light Up the Cave (1981), Levertov states that politics are a poetic concern because they are a human concern, an integral part of daily life. A poet who is committed to affirming life is also bound to defend it against political threats of destruction. The best of Levertov’s poems in her more than forty books do just that. She writes in direct language, using organic forms appropriate to the contents of the poems. Throughout her career, Levertov’s changing styles and explorations brought her readers many moments of pleasure and enlightenment.
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Biography (Critical Survey of Poetry: American Poets)
Born near London, England, in 1923, Denise Levertov was reared in a multicultural environment: Welsh and Russian, Jewish and Christian. On her mother’s side, her lineage was Welsh. Beatrice Spooner-Jones, her mother, was a daughter of a physician and great-granddaughter of a tailor, teacher, and preacher, Angell Jones, made famous by Daniel Owen, “the Welsh Dickens,” in the novel Hunangofiant Rhys Lewis (1885). Beatrice Spooner-Jones had a beautiful singing voice and a stock of stories to tell of Welsh life. She loved to travel, and in Constantinople, where she was a teacher in a Scottish mission, she met a young Russian Jew, Paul Peter Levertoff, who had converted to Christianity. They were married in London, where he was ordained to the Anglican priesthood. His great passion in life was reconciliation between Christians and Jews. A daughter, Olga, was born to the couple, and seven years later, a second daughter, Denise.
In some ways, Denise felt like an only child. She never attended a public or private school; her mother, her only teacher, read many classic works of fiction to her. She visited museums and libraries in London and studied ballet for many years; for a time, she considered a career in dance. When World War II came, she entered nurse’s training and worked in a number of London public hospitals caring for children, the aged, and the poor. She had been writing poems since childhood and published her first volume of poems in...
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Biography (Cyclopedia of World Authors, Fourth Revised Edition)
Denise Levertov (LEHV-ur-tawf) was a visionary poet whose work combines the ethereal nature of consciousness with the specificity of the natural world. Levertov’s magical view of the world has its origins in her ancestry: Her mother was descended from the Welsh tailor and mystic Angel Jones of Mold; her father was descended from the noted Jewish mystic Schneour Zaiman, a Hasid, or member of a sect of Judaism that emphasized the soul’s communion with God. Levertov’s father ultimately converted to Christianity, becoming an Anglican priest, but he retained his interest in Judaism and told Hasidic legends to Denise and her older sister Olga, encouraging in them what Levertov has called “a wonder at creation.”
In 1947, Levertov moved to the United States, and it was there that she established her reputation as a poet, finding there a new sense of the English language that suited her poetic vision. Accordingly, she escaped what she saw as the stifling Romantic and Victorian traditions of the past. Her abandonment of formal meter and stanzaic form accompanied her transformation from a British to an American poet.
As a result, she embraced the more organic forms of free verse epitomized by imagistic poets such as H. D. and William Carlos Williams—particularly with regard to Williams’s credo “no ideas but in things.” In addition,...
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Denise Levertov was born October 24, 1923, in Ilford, England. Her Russian-born father had converted from Judaism to become an Anglican priest in England, and her Welsh mother was artistically prolific as a singer, painter, and writer. Levertov and her older sister were schooled at home by their mother, and their upbringing in a highly intellectual, well-read family had a tremendous influence on their adult vocations. The parents were also political activists, protesting fascism in Spain and Germany and providing aid to political refugees during World War II. Their involvement in social justice issues gave direction to their daughters’ involvement with similar causes later on.
As a teenager, Levertov took ballet, piano, and art lessons, and at nineteen she entered nurses’ training and worked as a civilian nurse during World War II. During the war, Levertov met her future husband, American soldier Mitchell Goodman, who had studied at Harvard. They were married in 1947 and moved to New York City where their son was born two years later. Levertov had been writing and publishing poetry since she was a child, and her first collection, The Double Image, was published in 1946. However, being a wife and mother and adjusting to her new life in America occupied her for the next eleven years, and her second volume was not released until 1957. During this time, she continued to write and to publish single poems, and her former highly structured British...
(The entire section is 499 words.)