Style and Technique (Masterplots II: Short Story Series, Revised Edition)
“The Demon Lover,” a third-person narrative, achieves its effects by means of the technique of juxtaposition. What appears at first to be a tale of the supernatural becomes in fact an account of a nervous breakdown. The imaginative paralleling of the ghost tale and the case history is achieved primarily through concentration on the details of setting. The boarded-up house, the reluctant lock, the dead air of the hallway, the mysterious letter for whose presence no rational explanation can be made, the mysterious lover from the past, the chiming bells emphasizing the passage of clock time as opposed to emotional time, the betrothed who seems to have no will of her own, and the persistent rain all combine to create a compelling and provocative ambience. Even the claw marks made on the floor by the absent piano assume an eerie significance.
The story also makes use of flashbacks to emphasize the notion that the past, though forgotten, exists in the mind to be recalled by the symbols and images of the present. The girl Kathleen promises in 1916 to marry a soldier who dies in the war. She suffers a psychic “dislocation,” the seriousness of which she does not fully comprehend. No suitable young men present themselves for marriage for at least a decade, a comment on the decimation of a generation by the machine of war. Kathleen marries at the age of thirty-two and has two children. She is, furthermore, in her early forties, confronting another change in...
(The entire section is 462 words.)
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