A pair of Florida tourists stops in the small rural community of Rydal to enjoy the scenery. The man takes photographs while his wife paints a picture, which she gives to a barefoot young country girl named Elizabeth, who sings and plays a guitar. In return, Elizabeth sings a song for the tourists, who view her as a bit of local color—a part of the scenery. As the couple leaves the town, the man says “Country Girl,” as he thinks of the caption for his slide.
Paul Montgomery, a reporter for a Sunday magazine, comes to Rydal to write an article on the life and works of a local writer named Corra Harris, who has been dead for several years. He arrives as members of the Inglish family gather for their annual reunion. Women busily prepare the food that they will serve on paper plates placed on picnic tables resting on sawhorses and covered with sheets.
Elizabeth is making potato salad when Montgomery appears in the kitchen looking for Cleveland Inglish, whom he wants to interview because the man once worked for Harris. Because Cleveland is not there, Elizabeth offers to show him Harris’s writing studio. She leads him down a path thick with blackberry brambles and blueberries, past gardens blooming with geraniums, Shasta daisies, and hollyhocks. With everyone else gone fishing, the studio is locked, but Elizabeth and Montgomery look at Harris’s workroom through the windows. As they look at stacks of yellow paper and a dry ink well, Elizabeth thinks the place is sad because it looks as though its objects are waiting for their owner to return. When Montgomery asks her if she has read any of Harris’s...
(The entire section is 666 words.)