Overview (Masterplots II: Christian Literature)
Although little is known about the life of John Gower, records indicate that he was born between 1327 and 1330 into a landholding, Kentish family, associated with the royal court while living near London, and died in 1408 as a respected poet. Gower also had a documented friendship with another well-known London poet, Geoffrey Chaucer.
The works of John Gower as well as those of Chaucer initiated a new tradition of vernacular English poetry relying on a syllabic verse structure. Confessio Amanitis is approximately thirty-three thousand lines, most of which are octosyllabic couplets rhymed aa bb cc in the London dialect of Chaucer. Prior to the Norman Conquest of England (1066), Old English poetry depended on a four-stress, alliterative line as its primary organizing device. With French as the official language between the eleventh and fourteenth centuries, the English language and its poetic forms changed dramatically. When English again gained literary currency in the late 1300’s, continental influences produced in the works of Gower and Chaucer a type of poetry that employed set syllable counts and rhyme patterns. The dialect used by these two poets became the basis for Modern English.
Confessio Amanitis is the last of Gower’s long works and the only one written in English. Gower’s two other long works are Mirour de l’Omme (1376-1379; mirror of mankind), written in French, and Vox Clamantis...
(The entire section is 896 words.)
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