Themes and Meanings (Masterplots II: Drama, Revised Edition)
Colours in the Dark shows the extent to which each human individual is the accumulation of a host of personal, historical, and mythic factors. Pa’s growth is portrayed through a recounting of a barrage of personal experiences but also through the histories of his immediate ancestors, his people, his country, and humankind. Events in Pa’s life are recurringly paralleled, juxtaposed, or intermingled with incidents in world history and Canadian history. His birth, for example, is described in terms of the Adam and Eve story and of the scourge of original sin; Bible Sal significantly completes copying Genesis immediately after the birth of the protagonist. In the scene where the schoolmaster whips the children, Tecumseh, the Shawnee Indian chief, who was flogged by the Yankees in the nineteenth century, makes an appearance. Fighting between the Roman Catholic and the Protestant children suggests the French-English conflict in Canada. Act 1 ends with Pa as a boy trying to cross a bridge; he is pulled by people on one side and by the Bear and Lady Death on the other. This tug-of-war symbolizes the child’s reluctance to cross into the world of adulthood, where he will lose his naïveté and innocence and become responsible for his decisions. The appearance of Adolf Hitler in this unit indicates that, like humankind, the child could become cruel should he forget his parental and ancestral values once he leaves home.
The play is, on the most obvious...
(The entire section is 421 words.)
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