Warren's most obvious theme is Bolton Lovehart's struggle against the constricting force of his mother's love, and his inability to liberate himself from his attachment to his mother and Bardsville. This theme is developed in a number of actions which demonstrate Bolton's futile rebellion.
First, there are Lovehart's youthful attempts to break away from home and the power of Mrs. Lovehart. As a twelve year old, he forgets about belonging to the Episcopal church, wanders into a Baptist revival and is baptized in the nearby creek water. But his mother immediately rejects his action. Later as a youth of sixteen, he makes his abortive attempt to run away and join the circus, only to be betrayed by the circus manager and returned to his father. We are told that the flight to the circus, unlike the baptism, was "carefully planned, not undertaken on impulse," but as a revolt it was equally ineffectual.
Next there are Bolton's attempts as an adult to find love and to free himself from his mother's dominance. His hope of going to Sewanee University is defeated by the death of his father, an event leaving Bolton as the protector of his mother. In a scene of great pathos, we see Bolton listening to the stories about Sewanee told by Sam Jackson, his classmate at the Bardsville Academy. But an even more significant effort to escape comes in his unfulfilled romance between Bolton and Sara Darter, the daughter of Bolton's old teacher at the Bardsville Academy. After Bolton takes a job of teaching at Professor Darter's academy, it appears that he and Sara will marry.
Probably Sara has the strongest chance to liberate Bolton from Mrs. Lovehart's dominance. In order to prove to Bolton that Mrs. Lovehart's alleged heart troubles are melodramatic and self-induced collapses—as Dr. Jordan hints to Bolton—- Sara persuades Bolton to try to get a specialist for his mother. But Mrs. Lovehart reacts with...
(The entire section is 787 words.)
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