In the course of a single evening characters assemble for emotional fireworks and the explosion of the lies by which they all are living.
It is Big Daddy’s 65th birthday, but he does not realize it will be his last. His two sons and their wives, however, know he is dying of cancer and want him to determine which of them will inherit his huge plantation. Brick has the edge, being his parents’ favorite, yet Gooper and Mae keep pointing to his drinking and his childless wife and then to their own five offspring.
The major force in the play is Brick’s wife, Maggie, whose vitality has survived Brick’s persisting sexual rejection of her. Deeply in love with Brick, she wants to produce a grandchild for Big Daddy. Both she and Big Daddy try to make Brick face the facts of his drinking and his sexual abstention.
Brick started drinking and stopped making love with Maggie when his best friend and fellow football star, Skipper, died. He refuses to acknowledge any sexual element in their closeness, having been so indoctrinated by his society with the idea that a sexual relationship between two men is dirty.
The resolution of the play remains ambiguous, but the well-drawn characters and Williams’ splendidly rhetorical Southern dialogue create high-powered drama, with some superb comedy as well. Maggie (“the Cat”) and Big Daddy remain two of American drama’s most vital and fascinating characters.
(The entire section is 431 words.)