Adult lovers of WHERE THE WILD THINGS ARE (1963) and IN THE NIGHT KITCHEN (1970) will be interested in this assortment of reviews, speeches, prefaces, and interviews for the view they give of the mind of the artist. In CALDECOTT AND CO.: NOTES ON BOOKS AND PICTURES Maurice Sendak appreciates the work of other writers and illustrators and articulates his own artistic values. Along the way, he gives readers glimpses of experiences that were formative for him.
Sendak was born in 1928, the same year as one of his favorite cultural figures, Mickey Mouse. In his growing-up years as the son of Polish-American Jews in Brooklyn, he was not exposed to art books or museums; instead, his inspirations were Walt Disney films--PINOCCHIO (1940) is his favorite--Charlie Chaplin, and Winsor McCay’s comic strip, LITTLE NEMO IN SLUMBERLAND. Later, William Blake became a central influence, as did the music of Wolfgang Amadeus Mozart and Richard Wagner.
It is significant that Sendak opens this collection with an essay titled “The Shape of Music,” for musicality is one of his chief goals in illustration. In fact, he remarks that one of his unrealized ambitions was to be a composer. For some time it was his practice to sit before the record player and draw in response to music. One sequence of sketches produced thus is reproduced in the essay titled “Fantasy Sketches.” A whimsical yet slightly nightmarish portrayal of a small girl’s encounter with three...
(The entire section is 412 words.)